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Eric Reed Quartet at Smoke
by Nick Catalano
A garrulous Eric Reed traveled from his teaching gig at the University of Tennessee to lead a quartet at Smoke on March 9, 2023. Before the first set began Reed delivered lengthy commentary on Miles Davis, Benny Golson and the recently deceased Wayne Shorter, and included compositions by the latter two in the opening set. His sidemen included saxophonist Chris Lewis, bassist Dezron Douglas and drummer Kendrick Scott. Compositions from Reed's 2023 Smoke Sessions album Black, Brown and Blue were ...
read moreEric Reed at Smoke Jazz & Supper Club
by Nick Catalano
Hard Bop continues to find a home in NY's Smoke Jazz & Supper Club. For decades the room featured One for All -a group whose stalwart players Eric Alexander, Steve Davis, David Hazeltine, John Webber, Jim Rotondi, and Joe Farnsworth had critics comparing them to Art Blakey's Jazz Messengers. These players often led smaller groups into Smoke with players such as Harold Mabern and other hard boppers. Last week (7-22) the club brought in Eric Reed and company ...
read moreSmoke Sessions
by Maurizio Zerbo
Questo gruppo di incisioni “live" è accomunato dall'adesione agli stilemi del modern mainstream. Emerge nei tre pianisti una sincera riflessione sul linguaggio moderno delle varie tradizioni jazzistiche, che vanno dall'eredità coltraniana al post-bop. Grazie anche alla calda atmosfera del jazz club Smoke, in cui sono stati registrati dal vivo, si impone una indiscutibile intensità emotiva che solo artisti di gran livello possono offrire. Eric Reed Groove Wise Valutazione: * * * ½ Smoke ...
read moreSmoke Sessions: Cyrus Chestnut, Orrin Evans and Eric Reed
by C. Michael Bailey
Cyrus Chestnut Midnight Melodies Smoke Sessions 2014 Elegance and economy characterize Cyrus Chestnut's art. Chestnut's career was the one Kenny Kirkland could have had had Kirkland's fate been different. Chestnut (and Evans and Reed) represent the generation given way to with the passings of Mulgrew Miller and Cedar Walton. Chestnut is a keeper of the flame, a lyrical and expressive pianist who likes to use notes in sculpting songs. Midnight Melodies was ...
read moreEric Reed: Something Beautiful
by Greg Simmons
Eric Reed's Something Beautiful is well-named: a collection of mostly standards, delivered with sensitive hands and unerring taste. The pianist shows a knack for choosing great material, mostly staying away from jazz's grossly overplayed warhorses in favor of lesser-known material that is, nonetheless, classic and elegant. The album offers a unified atmosphere of down- and mid-tempo melodies--sometimes melancholy, sometimes bouncy, and occasionally even uplifting. Jesse Tabish's “Black Tables" is almost hymn-like, with deep left-handed chords creating gravity under ...
read moreEric Reed: The Dancing Monk
by Greg Simmons
Every jazz pianist stands somewhere in the shadow of Thelonious Monk (1917-1982), and Eric Reed has embraced that shadow, with The Dancing Monk. Interpreting the near-mythic pianist/composer's music--let alone making an entire album of his tunes--poses significant challenges to any modern musician, and especially for a pianist. First, Monk's compositions are, indeed, challenging, in and of themselves; full of odd meters, syncopations, and some of the most counter-intuitive melodies ever written. Second, Monk's flat-fingered keyboard work was completely ...
read moreEric Reed: Sacred Jazz
by Eric Reed
Generally, the idea of “sacred jazz" either brings to mind Duke Ellington's three sacred concerts or causes confusion in the minds of those who are not cognizant of what is “sacred" or “jazz." Is it John Coltrane's A Love Supreme, Mary Lou Williams' Black Christ of the Andes or Ahmad Jamal's After Fajr? In all these cases, yes. In the broad sense of what is “sacred," the common thread that exists among the aforementioned references pays respect to the devotion ...
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