Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Ojos de Brujo: Aocana

Chris May By

Sign in to view read count
While for most people outside Spain, life with Ojos de Brujo began in 2004 with baritone (World Village), or later with Techari (Six Degrees, 2006), the Barcelona-based, Catalan and Gypsy collective has been together since the late 1990s, and released its first album, Vengue (Edel), in 1999. In all this time, the band has stayed true to its original vision: an intoxicating rainbow of flamenco, rumba, jazz, rap, reggae and funk, topped with anti-establishment, libertarian lyrics written in the main by the mesmerising singer and rapper, Marina Abad.

On Aocana—in the Gypsy language Calo meaning "now," and used here as an abbreviation of aocana garlochi ("now with the heart")—Ojos de Brujo ("eyes of the wizard") present more of these trademark cross-cultural mash ups alongside a clutch of finely wrought and exquisitely pretty ballads and romances, balancing turbulence with new degrees of tenderness. It's a winning combination.

For Techari, in a departure from previous practice, the band's core octet was augmented by a rolling cast of a dozen or so guest musicians. That template is repeated with Aocana, which includes 24 guest singers and instrumentalists in addition to Cuban quintet Los Van Van and drummers from India's Karnataka College of Percussion. Chaos is avoided by the sparing application of this caravan. Los Van Van and Cuban pianist Roberto Carcasses, for instance, are heard only on "Busca Lo Bueno" ("seek out the good"), an abandoned 5/4 rumba, and the Karnataka drummers only on the Indo-flamenco celebration "Tantas Flores" ("so many flowers"). Trumpeter Carlitos Sarduy, of the band's core octet, is joined by more horns on six of the dozen tracks.

Compared with Techari, and more particularly, with the near-to-overload sensory impact of Techari Live (Six Degrees, 2007) and its accompanying concert performance DVD, Aocana is a more deftly nuanced affair—lyrical and intimate to begin with, but steadily building in intensity before the final chill-out. The rousing, exuberant opener "Todos Mortales" ("mortals all") is followed by three more moderately pitched tunes, and the nimble rap "Donde Te Has Metio" ("where have you got to"), showcasing Abad and the twin flamenco guitars of Ramon Gimenez and Paco Lomena. Track two, "Nueva Vida" ("new life"), Abad's love song to her newborn baby, is particularly lovely. Taken out by Sarduy's poised and cool, post-electric Miles Davis, muted horn, it sets the tone for the quieter tunes on the album.

The band don't cut loose bigtime until track six, "Una Verdad Incomoda" ("an inconvenient truth"), a terrific tango, rap and dancehall fusion addressing a range of nasty events from the Balkans to Guantanamo. The tune will be a monster live. It's followed by "Baraka," a bittersweet slice of life which, like the penultimate "Perico Y Juliana," puts a human face on the anonymous underclass of migrant workers; the ravishing flamenco "Tocale Ya" ("play to her now"), both within and beyond the tradition; "Busca Lo Bueno," giddy and lurching, given a roots Cuban ambiance by Los Van Van's strings; and "Tanta Flores," an Indo-flamenco revel which, onstage and extended, promises to be as thrilling as "Todo Tiende" on Techari Live (check the YouTube clip below, and hang on in there for 2:30 until the women start singing). The album closes with the chilled-out "Lluvia" ("rain"), on which Sarduy's muted trumpet delights again.

Live performance is the sine qua non of Ojos de Brujo, and the group's 2009 concerts, and the live CD and accompanying DVD which are likely to follow Aocana, should be bliss. Meanwhile, this superbly crafted studio set is a jewel. Ole, Ojos de Brujo!

Production Note: Aocana is simultaneously released in single disc and double disc formats. The latter's second disc comprises seven compelling remixes and an extra track, "Todos Remezclados," a promising Indo-flamenco work-in-progress.

Track Listing: CD1: Todos Mortales; Nueva Vida; Donde Te Has Metio; Correveidile; Rumba Del Adios; Una Verdad Incomoda; Baraka; Tocale Ya; Busca Lo Bueno; Tantas Flores; Perico Y Juliana; Lluvia. CD2: Nueva Vida Remix; Donde Te Has Metio; Todos Remezclados; RMX Tantas Flores; Buscalo Que Bueno; Correveidile; Baraka.

Personnel: Marina Abad: vocals; Ramon Gimenez: flamenco guitar; Xavi Turuli: cajon, tabla, congas, percussion; DJ Panko: turntables, scratching; Carlitos Sarduy: trumpet, piano, percussion; Maxwell Wright: percussion, vocals; Paco Lomena: flamenco guitar; Javi Martin: bajo; Los Van Van: vocals, violin, bajo, drum (9); Tote King: vocals (3); Duquende: vocals (10); Chano Dominguez: piano (4); Karnataka College of Percussion: vocals, percussion (10); Roberto Carcasses: piano (9); Kumar: vocals (6); Horacio El Negro: drum (8, 12); Roger Blavia: drum (1, 10); Leonardo Rodriguez: drum (5, 11); Denis Cuni: trombone (3, 6, 9, 11); Regis Molina: baritone saxophone (3, 12); Roman Filiu: tenor saxophone (3, 5, 9, 11); Dany Noei: tres (5, 9); Antonio Restucci: mandolin (1, 8); Zoltan Lantos: violin (8); Gyan Singh: loop tabla (6); Kiran Sarduy: jaleos (2); Alba Carmona: vocals (2, 3, 5, 8); Tania Gonzalez: vocals (5, 11); Susi Medina: handclaps (4, 8, 11); Isaac Barbero: handclaps (1, 4, 5, 8); Eva Santiago: handclaps (1, 5); Angel Rodriguez: handclaps (9); Mati Fernandez: handclaps (9); Lidia Escudero: handclaps (9).

Title: Aocana | Year Released: 2009 | Record Label: Warner Bros.


Related Video

comments powered by Disqus

More Articles

Read Satoko Fujii Solo CD/LP/Track Review Satoko Fujii Solo
by Karl Ackermann
Published: January 17, 2018
Read when the shade is stretched CD/LP/Track Review when the shade is stretched
by Mark Sullivan
Published: January 17, 2018
Read The Influencing Machine CD/LP/Track Review The Influencing Machine
by Roger Farbey
Published: January 17, 2018
Read Presence CD/LP/Track Review Presence
by Geannine Reid
Published: January 17, 2018
Read Flaneur CD/LP/Track Review Flaneur
by Jakob Baekgaard
Published: January 16, 2018
Read D'Agala CD/LP/Track Review D'Agala
by Troy Dostert
Published: January 16, 2018
Read "The Singles" CD/LP/Track Review The Singles
by Doug Collette
Published: October 1, 2017
Read "Twin" CD/LP/Track Review Twin
by Fiona Ord-Shrimpton
Published: April 6, 2017
Read "The Hive" CD/LP/Track Review The Hive
by Edward Blanco
Published: May 28, 2017
Read "Agrima" CD/LP/Track Review Agrima
by Karl Ackermann
Published: October 13, 2017
Read "@etude" CD/LP/Track Review @etude
by Geno Thackara
Published: April 17, 2017
Read "Glow of Benares" CD/LP/Track Review Glow of Benares
by Jakob Baekgaard
Published: December 12, 2017