Home » Jazz Articles » Album Review » Ibrahim Electric: Absinthe
Ibrahim Electric: Absinthe
The challenge for any groove-based Hammond/guitar/drum trio is in not sounding repetitive, after all, there are only so many ways you can vary the order of the solos. Another challenge is to avoid sounding like every other Hammond-led band that has come before. On both scores Ibrahim Electric emerge with nearly full marks on Absinthe.
If you forgive the fact that the underlying groove of "Splash sounds a lot like Booker T and the MGs' "Green Onions then you are left with a highly enjoyable bluesy workout, with Knudsen and Hammond B-3 man Jeppe Tuxen trading great solos. Ibrahim Electric shifts from blues to the rollicking jam-band funk of "En Kold Fra Kassen, a ten-minute track that comes closest to recreating the quite awesome energy of this trio in concert. "Lobi, with its irresistible guitar motif and cantering percussion, could be the soundtrack for a spaghetti western in Mali.
On Absinthe Ibrahim Electric really mix it up nicely. African and Arabic sounds rub shoulders with '70s TV show-theme pastiche and gritty, sluttish guitar vies with raucous B3 over a lively percussive pulse. Few trios these days combine swinging grooves, raw intensity and musicianship quite as successfully as Ibrahim Electric do on Absinthe.
Track Listing
Blue Balls; Yamshala; Lobi; Splash; Arabian Boogaloo; En Kold Fra Kassen; Absinthe.
Personnel
Jeppe Tuxen: Hammond B-3; Niclas Knudsen: electric guitar; Stefan Pasborg: drums; Rune Olesen: percussion.
Album information
Title: Absinthe | Year Released: 2007 | Record Label: Stunt Records/Sundance Music
About Ibrahim Electric
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






