MONOGLOT: Wrong Turns And Dead Ends
ByThey have more fully embraced the rock sound that was present on the first album to some extent. The tunes are shorter on average, and the rhythm section is heavier. They do not sound like a new band, but they do sound like a more focused one. The hard sound is announced immediately in the opening track's jerky rhythm, Krisinsson's "Wake Up Song." If the rhythm doesn't wake you up, the dissonant interjections certainly will. "N192" comes from Wilmann's pen. It harks back to the minimalism of the first albumboth saxophones playing a repeating figure like you might hear from Philip Glassbut with a distinct rock feel underneath.
"Swing" opens with solo guitar, joined by a saxophone melody that sounds like a ballad. Not exactly a swing feel rhythmically, but more like it than the other tracks. By the time the full band has entered there is almost a power ballad feel to the repeated vamp. Von Keler's "Staphylococcus Aureus" opens with atmospheric sounds, demonstrating that the group still retains a space for non-rhythmic improvisation. In some ways the short "The Coast" encapsulates the sound of the band: a power trio rhythm section riff, with the horns supplying dissonant commentary...and there's even space for a saxophone solo in the two minutes and twenty-six second playing time.
Is this jazz or progressive rock? Who knows, but it's definitely music for listeners who don't care about the distinction. Especially recommended to fans of the labels MoonJune Records and Cuneiform.
Track Listing
Wake Up Song; N192; Swing; Staphylococcus Aureus; Mess; The Coast; Sirens; Tuxedo; Suna Rosa.
Personnel
Sebastian von Keler & Fabian Willmann – Tenor Saxophone; Kristinn Kristinsson – Guitar; Florian Keller – Bass; Luca Glausen – Drums.
Album information
Title: Wrong Turns And Dead Ends | Year Released: 2017 | Record Label: Hout Records
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Instrument: Band / orchestra
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