All About Jazz

Home » Articles » Multiple Reviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

4

Weekertoft Hits Its Stride…

John Eyles By

Sign in to view read count
As Weekertoft approaches its first anniversary, its teething troubles seem over as it is settling down into a pattern of releasing music regularly. Of the label's two latest releases, one is on CD, the other a download, a balanced approach that seems likely to become the norm. The download release is significant for two connected reasons: it is the label's first release not to feature one of its proprietors, guitarist John Russell and pianist Paul G. Smyth; and, with music dating back to 2000 and 2001, it is also the first time that Weekertoft has dipped into the vast archive of recordings from the monthly Mopomoso concerts, in order to issue older music. The prospect of other music that could emerge from the vaults is mouth-watering....

Paul G. Smyth / Chris Corsano
Psychic Armour
Weekertoft
2016

Following hot on the heels of the download release of Paul G. Smyth's fine solo album The Warning Signs comes this welcome CD release by the duo of Smyth and US improvising drummer extraordinaire Chris Corsano. It was recorded in April 2015, at the National Concert Hall in Smyth's native Dublin, a venue at which he has regularly performed in duos with such high-profile performers as bassist John Edwards, cellists Hannah Marshall and Okkyung Lee, saxophonists Alan Wilkinson, Evan Parker and Peter Brötzmann, trombonist Sarah Gail Brand and—most relevant to this album—drummers Ståle Liavik Solberg and David Lacey, such encounters having sharpened his skills as an improvising duo player.

Given that Corsano also has an extensive track record in duos—notably with saxophonists Paul Flaherty and Joe McPhee, and guitarist Bill Orcutt—when he and Smyth met, it seemed that sparks were guaranteed to fly. As the YouTube clip from the performance demonstrates, that was certainly the case, with both of them playing full-on right from the start, and neither hiding from the demands of the encounter.

With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out... but that would not do it justice, as it would ignore the co-operation and empathy between the two. A better analogy is of a cordial but heated discussion, with each point made by either player being considered, developed, commented upon and then refuted or accepted by the other, in an ongoing back-and-forth exchange that is rich in detail.

Across the three tracks, totalling over fifty-five minutes, there are occasional periods where one or other is alone in the spotlight—building a protracted solo or injecting an individual flourish—but neither player seeks to dominate the other. Instead, the two contribute equally to the music's impressive variety, momentum and musicality. Their music is guaranteed to quickly draw in listeners and keep them engaged throughout. Please may this duo become more than just a one-off encounter.



Chris Burn / Matthew Hutchinson
Rev, Cook and Out
Weekertoft
2016

The duo of Chris Burn on trumpet and Matthew Hutchinson on synthesisers (the latter should not be confused with the US pianist of exactly the same name) is in stark contrast to the Smyth-Corsano for several reasons. Both Burn and Hutchinson are from an older generation than Smyth and Corsano, and have been actively involved with Mopomoso and Fete Quaqua from the start. The two have played together for decades, dating back at least to 1990, when Hutchinson was a member of Burn's Ensemble that recorded Cultural Baggage (Acta, 1990), alongside John Butcher, Jim Denley, Phil Durrant, Marcio Mattos, John Russell and Stevie Wishart—an impressive line-up.

Burn and Hutchinson are a long-established duo, their first released recording being on Freedom of the City 2002: Small Groups (Emanem, 2002); the music here pre-dates that, having been recorded in October 2000 and June 2001 at The Red Rose, the home of Mopomoso for many years. Burn and Hutchinson can be seen together on many YouTube clips, including that below from 2014. With so much shared history, it is hardly surprising that the pair are empathetic to the point of telepathy. The fact that Burn is himself a pianist, albeit a very different one to Hutchinson, doubtless strengthens the bond between them. It may also be the reason that Hutchinson, despite being a formidable pianist, plays synthesiser here rather than piano. Whatever the reason, the combination of synth and trumpet works very well, producing an unusual but appealing soundscape. The two are equal partners, rather than the synth acting as support or accompaniment, each of them constantly searching for sounds to complement those of their partner.

Rather than Smith and Corsano's heated debate, this comes across more as a friendly chat between two old mates who are enjoying each other's company. Across the three tracks whose titles are combined in the album title, just under an hour of music, the two give a master class in sympathetic listening, never losing touch with one another; reacting to each other, they constantly manage to move their music forward without any hint of repetition, deviation or hesitation. The end result is a textbook example of duo improvisation. Out of the many hours of archive recordings at the label's disposal, it is easy to see why this one was chosen for release. Although very different, both these releases auger well for Weekertoft's future.

Tracks and Personnel

Psychic Armour

Tracks: Taming in the Power Cut; The Through Line; Psychic Armour.

Personnel: Paul G. Smyth: piano; Chris Corsano: drums

Rev, Cook and Out

Tracks: Rev; Cook; Out.

Personnel: Chris Burn: trumpet; Matthew Hutchinson: synthesisers.

Tags

Related Video

comments powered by Disqus

Related Articles

Read Debut Recordings On The Elsewhere Label Multiple Reviews
Debut Recordings On The Elsewhere Label
by John Eyles
Published: August 11, 2018
Read Cross Purposes Multiple Reviews
Cross Purposes
by Geno Thackara
Published: July 25, 2018
Read Two Contrasting Releases From Bertrand Denzler Multiple Reviews
Two Contrasting Releases From Bertrand Denzler
by John Eyles
Published: July 22, 2018
Read Groovemeisters: Dennis Coffey and Barry Goldberg Multiple Reviews
Groovemeisters: Dennis Coffey and Barry Goldberg
by Doug Collette
Published: July 20, 2018
Read Gene Clark sings For You and A Trip Through The Rose Garden Multiple Reviews
Gene Clark sings For You and A Trip Through The Rose Garden
by Doug Collette
Published: July 8, 2018
Read Steve Wynn: Kerosene Man and Dazzling Display Multiple Reviews
Steve Wynn: Kerosene Man and Dazzling Display
by Doug Collette
Published: July 1, 2018
Read "Rudresh Mahanthappa’s Indo-Pak Coalition & Rez Abbasi’s Invocation" Multiple Reviews Rudresh Mahanthappa’s Indo-Pak Coalition & Rez...
by Mark Sullivan
Published: December 27, 2017
Read "Cross Purposes" Multiple Reviews Cross Purposes
by Geno Thackara
Published: July 25, 2018
Read "Minimalist Guitar: Clouds and Dreams" Multiple Reviews Minimalist Guitar: Clouds and Dreams
by Geno Thackara
Published: March 23, 2018
Read "Joao Barradas: A New Place For The Accordion In Jazz?" Multiple Reviews Joao Barradas: A New Place For The Accordion In Jazz?
by Chris Mosey
Published: February 2, 2018