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Paul G. Smyth

For the last 20 years, pianist Paul G. Smyth has been carving a unique furrow in Ireland’s cultural landscape. Parallel to his past involvement with The Jimmy Cake (described by the Irish Times as “the most powerful musical force in Ireland”), Smyth has also set himself apart as a singular voice in Europe’s vigorous improvised music scene.

Since touring with Charles Gayle in 1999, he has worked with such luminaries as Derek Bailey, Evan Parker, Peter Brötzmann, Keiji Haino, Barry Guy, Wadada Leo Smith, John Russell, Chris Corsano, Lol Coxhill, Charles Hayward, John Butcher, John Edwards, Alan Wilkinson, Mark Sanders and Damo Suzuki, among many others, been a member of synth trio Boys Of Summer (“the sound of John Carpenter being buried alive” - Le Cool Magazine), a featured composer in the National Concert Hall, written music for theatre, and performed in 18 countries.

Smyth has released critically acclaimed duo albums with Evan Parker, Chris Corsano and John Russell on his label Weekertoft, which he co-founded with Russell in 2016.

Awards

Culture Ireland Award 2008 Music Network Capital Scheme Award 2014 Culture Ireland Award 2019


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4
Album Review

Paul G. Smyth & John Wiese: The Outlier

Read "The Outlier" reviewed by Mark Corroto


The Outlier! by Paul G. Smyth and John Wiese is an ambient recording. No, it's a free improvisation set, or could it be industrial sound or noise? Yes, and yes again. Recorded before an audience in The National Concert Hall in Dublin, Ireland, this duo brings together pianist and Weekertoft Records label chief Smyth with the American electronics artist Wiese for a 53 minute continuous improvisation. Smyth's piano and prepared piano have been heard in the company of improvising luminaries ...

6
Album Review

Peter Brötzmann / Paul G. Smyth: Tongue In A Bell

Read "Tongue In A Bell" reviewed by Mark Corroto


There are only a handful of pianists the great reedist Peter Brötzmann has worked with. Back in the Machine Gun (FMP, 1968) days it was Fred Van Hove at the keyboards. Then there was Misha Mengelberg and Alexander von Schlippenbach, plus those Berlin sessions with Cecil Taylor, and the new millennium recordings with Japanese pianist Masahiko Satoh: Yatagarasu (Not Two, 2012) and Long Story Short (Trost, 2013). Add to that list Irishman Paul G. Smyth. This 2015 live ...

4
Multiple Reviews

Weekertoft Hits Its Stride…

Read "Weekertoft Hits Its Stride…" reviewed by John Eyles


As Weekertoft approaches its first anniversary, its teething troubles seem over as it is settling down into a pattern of releasing music regularly. Of the label's two latest releases, one is on CD, the other a download, a balanced approach that seems likely to become the norm. The download release is significant for two connected reasons: it is the label's first release not to feature one of its proprietors, guitarist John Russell and pianist Paul G. Smyth; and, with music ...

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“A revelation … His approach to the piano is utterly original” – The New York City Jazz Record

“One of the great contemporary pianists” – The Free Jazz Collective

“Considerable gifts as an improvisor … a genuinely cathartic listening experience … such fuck-you intensity” – The Wire

“Paul G. Smyth performing live was one of the most mesmerising acts of musical ingenuity.” – The Thin Air

“Ireland’s darkest jewel” – The Journal of Music

“One of the most exciting musicians working in Ireland at the moment” – GoldenPlec

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