Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

4

Remi Alvarez/Joe Fonda/Harvey Sorgen: Trio 3D

Jerry D'Souza By

Sign in to view read count
When drummer Harvey Sorgen met saxophonist Remi Álvarez at the International Musicians Meeting in Monterey, Mexico, he was "taken by his sound, feel and humanity." This is not surprising. Álvarez has cut a wide swath both on record and in live performances as an adventurer who is not afraid to take risks without losing focus. Sorgen, who has blazed his own trail adding to the dynamics with his sense of rhythm and pulse and abetting the music of vibraphonist/pianist Karl Berger, trumpeter Wadada Leo Smith and trumpeter Herb Robertson among others, recognized a kindred soul. As for Joe Fonda, the bass virtuoso has the stylistic flexibility to build robust lines or fragment them and skitter around and into the path of the soloist to elevate a composition.

Álvarez is the centrifugal force, bringing crisp intensity and sweetness in equal measure. He is trenchant, cutting deep into "Dancing With the Forest" with phrases that jump and curl seeking a groove and then dispensing with it to create an array of effects. Sorgen steps up to the complexity with a broad spectrum of color that melds into the saxophone while Fonda infuses rumbling lines to give the triangle congruent shape.

The pastoral "Talachas" offers contrast with its lyrical air. Álvarez leans into the melody, his flute dipping into the nuances to flesh the body. His arcs and swoops impact, and when his trajectory gets more pronounced on the swell of improvisation the effect is dynamic.

"Falling Up The Stairs" opens as a warm coaxing ballad on the tenor saxophone, with Fonda's bass cleaving to the melodic line as Álvarez continues his forlorn cry. The understatement works, particularly with the rhythm section keeping the bottom ticking right through the churning angularity that Álvarez brings in to complete his journey.

Each member of the trio is integral to the whole as concept becomes reality and the search for the unusual is met with expectancy and fulfillment.

Tags

comments powered by Disqus

Warning: mysql_fetch_object(): supplied argument is not a valid MySQL result resource in /home/websites/jazznearyou.com/www/html/content/chunks/cal_related_cached.php on line 39

More Articles

Read OR CD/LP/Track Review OR
by Geno Thackara
Published: January 18, 2018
Read The Songbook Project CD/LP/Track Review The Songbook Project
by Don Phipps
Published: January 18, 2018
Read Solo a Genova CD/LP/Track Review Solo a Genova
by Dan McClenaghan
Published: January 18, 2018
Read Reaching Out CD/LP/Track Review Reaching Out
by Mark Corroto
Published: January 18, 2018
Read Satoko Fujii Solo CD/LP/Track Review Satoko Fujii Solo
by Karl Ackermann
Published: January 17, 2018
Read when the shade is stretched CD/LP/Track Review when the shade is stretched
by Mark Sullivan
Published: January 17, 2018
Read "Ancient Agents" CD/LP/Track Review Ancient Agents
by Mark Sullivan
Published: December 28, 2017
Read "#Office for the Day" CD/LP/Track Review #Office for the Day
by Nicholas F. Mondello
Published: December 1, 2017
Read "Chrome" CD/LP/Track Review Chrome
by Dan McClenaghan
Published: September 11, 2017
Read "Change Of Address" CD/LP/Track Review Change Of Address
by Dan Bilawsky
Published: September 6, 2017
Read "By A Thread" CD/LP/Track Review By A Thread
by Dan McClenaghan
Published: July 18, 2017
Read "Silent Voices" CD/LP/Track Review Silent Voices
by Nicholas F. Mondello
Published: August 4, 2017