All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

123

Chris Burn Ensemble: The Place 1991

Glenn Astarita By

Sign in to view read count
“The Place” signifies a London theater where pianist, Chris Burn, and his ensemble, featuring an assemblage of noteworthy British free-jazz/improvising artists, performed these compositions during the “Crosswinds” festival. The opener “Presponse,” elicits notions of an avant-garde or offbeat Sci-Fi thriller due to a series of fragmented themes and brazenly stated undercurrents by saxophonist John Butcher, flutist, Jim Denley and the strings section. Furthermore, Burn renders some relatively eerie statements via his utilization of a toy piano.

In the liners, Burn mentions that Keith Rowe’s “Pollock#82,” represents “ the first time that a composer outside of Ensemble had written a piece for the group. Here, the musicians pursue mischievous evolvement, propelled by nimbly plucked strings, Butcher’s raspy-throated sax lines, and a volley of whimsically inclined call and response type exhanges. Saxophonist, Evan Parker appears on the final cut, “Blocks And Arches,” which is a work featuring circular motifs, flickering notes or as my attentive grandson stated, “the movement of cartoon-like characters” or “the sound of something spinning.” Thus, music of this ilk disproves any notions of barriers, or perhaps anything that might intimate a finite conclusion. Recommended!

EMANEM


Track Listing: 1. Presponse 2. The Piano Ate Card 3. Pollock #82 4. Southern Samba A Go-Go 5. Hammer Hint 6. Blocks And Arches

Personnel: Jim Denley: piccolo, flute, bass flute

Title: The Place 1991 | Year Released: 2001 | Record Label: Emanem

Tags

comments powered by Disqus

Related Articles

Read Point Blank CD/LP/Track Review
Point Blank
by Chris May
Published: August 20, 2018
Read Tell Me The Truth CD/LP/Track Review
Tell Me The Truth
by C. Michael Bailey
Published: August 20, 2018
Read No One Is Alone CD/LP/Track Review
No One Is Alone
by Chris Mosey
Published: August 20, 2018
Read The Literature CD/LP/Track Review
The Literature
by Jerome Wilson
Published: August 20, 2018
Read Between the Silence CD/LP/Track Review
Between the Silence
by John Kelman
Published: August 19, 2018
Read Flying CD/LP/Track Review
Flying
by Troy Dostert
Published: August 19, 2018
Read "May I Introduce To You" CD/LP/Track Review May I Introduce To You
by Jerome Wilson
Published: September 15, 2017
Read "Vessel in Orbit" CD/LP/Track Review Vessel in Orbit
by Don Phipps
Published: January 19, 2018
Read "Lucus" CD/LP/Track Review Lucus
by Mike Jurkovic
Published: January 22, 2018
Read "Down Memory Lane, Vols 3 and 4" CD/LP/Track Review Down Memory Lane, Vols 3 and 4
by Jack Bowers
Published: May 17, 2018
Read "On The Path" CD/LP/Track Review On The Path
by Jerome Wilson
Published: July 2, 2018
Read "Legrand Jazz" CD/LP/Track Review Legrand Jazz
by Patrick Burnette
Published: August 7, 2018