Predjudice on the Shortfall. I tend to be fairly cautious when approaching recordings that are ostensibly spiritually or religiously conceived or motivated. I have found that Divine Inspiration does not always equate to listenable music. It is a sticky wicket to address spiritual inspiration with the music, but it is not a musician's personal motivation I am interested in; it is just that the music swings. Having said all of that, New Orleans-native Gregory Tardy's The Hidden Light, by my estimation, is as fine an example of Contemporary-Post Bop as a listener could hope for. Tardy has a warm fixed tone and a superb ear and conception for well-crafted solos. He offers his sidemen an impressive amount of solo room, as illustrated by Nicholas Payton on the title track. Eric Harland provides an outstanding rhythmic bedrock (á la Anthony Williams) and is the standout (with the leader) on this recording. This is loud and joyous music. A true celebration more than worth a listen.
Track Listing: The Hidden Light; The Living Hope; Beyond The Prison Doors; Mr. Hurt; They Say It
Personnel: Gregory Tardy; Tenor Saxophone; Nicholas Payton: Trumpet, Flugelhorn; Antonio Hart: Alto Saxophone; George Colligan, Xavier Davis: Piano; Sean Conley: Bass; Eric Harland: Drums.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.