Home » Jazz Articles » Album Review » David Chevan: The Days of Awe

129

David Chevan: The Days of Awe

By

Sign in to view read count
David Chevan: The Days of Awe
With the Afro-Semitic Experience, bassist David Chevan and pianist Warren Byrd use jazz to entice African American and Jewish spiritual music to meet as brothers. On Chevan's first solo effort, The Days of Awe , he instead chooses to filter Jewish High Holy Day melodies through a multifaceted "jazz prism." The outcome is highly accessible music that retains its original dignity. Six of the nine pieces are from the repertoire of Cantor Yoselle Rosenblatt (1882-1933), arguably the most famous Jewish liturgical singer of all time. Inspired by Rosenblatt's vocal improvisation and compositional skills, Chevan's melodic treatments, while they can be appropriately solemn, also evince the joyous rapture of a full throttle blow-out.

Chevan's playing is expansive. His bowing, slapping and plucking successfully convey the emotional magnitude demanded by this music. African hand drummer Baba David Coleman and drummer Alvin Carter Jr. have no trouble keeping up with offerings that touch on funk, klezmer, Afro-Cuban and straight-ahead jazz. Both trumpeter Frank London and lap steel guitarist/fiddler Stacy Phillips adeptly translate the expressive cantorial improvisational approach to their instruments. London is perhaps the most expert at channeling the spirits as he calls up a meeting between the late Cantor and Hugh Masakela on rocker "R'tzeh Atiratem (May our offering be acceptable)" before Mixashawn delivers a killer tenor sax solo.

Chevan, Phillips, Byrd and clarinetist Will Bartlett also take turns at leading the service with excellent results. Standouts are a hauntingly beautiful "Hineni, Heani Mima'as (Here I am with my meager accomplishments)" and an extended version of "Al Khet (For the sins that we have committed)." The latter begins as a meditative call/response between guitar and trumpet that finds its groove as a jive trio piece. "V'khol Ma'aminim (And we all believe)" starts with funky piano and bass and then moves through markedly melodic changes. In the end, Chevan makes believers of us all.

Track Listing

1. And as For Me, My Prayer is for You (V

Personnel

David Chevan
bass, acoustic

Album information

Title: The Days of Awe | Year Released: 2003 | Record Label: Reckless DC Music


Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Silent, Listening
Fred Hersch
Riley
Riley Mulherkar
3 Works For Strings
Giusto Chamber Orchestra
My Multiverse
Pearring Sound

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.