2

Romain Collin: The Calling

Ian Patterson By

Sign in to view read count
Romain Collin: The Calling In the dense jungle of the jazz piano trio, unearthing and successfully making heard an original voice is no small feat. Romain Collin caught the attention of many with his debut, The Rise and Fall of Pipokhun (Fresh Sound, New Talent, 2009), a mellow yet ambitious conceptual suite that marked the New York-based Frenchman as a pianist and composer of note. Collin's innate lyricism shone through from his keys, as did a rare delicacy of touch that conveyed emotional power in even the quietest moments. The Calling bears many of the same hallmarks, though post-production work—or sound design as Collin refers to it—brings greater textural depth and moods to these 12 striking compositions.

The punchy dynamics of the short opener, "Storm," provide something of a statement of intent. Eschewing conventional jazz idioms, the song is an atmospheric power-piece built upon Collin's grand, spacious motif. Recorded newsreel, barely voiced guitar and subtly layered drone-like electronics lend an urbane tone. That Collin spent two weeks in post-production sculpting the sounds—compared to just two days of recording— not only says much about Collin's modernistic approach to making music, it also speaks volumes for the care invested in the sonic presentation. Such attention to detail has paid handsome dividends, as clarity, depth and warmth of sound are constants throughout.

Collin's classical leanings color much of the music. The elegant title track has a quietly stated baroque grandeur which never fully concedes ground during Collin's free-falling improvisation. The elegiac, almost hymnal quality of "Greyshot" and the moody "Aftermath" point more directly to European church music as a source of melodic inspiration, though both pieces are equally informed by subtle layers of cello, guitar and programming. However, a decade in New York has also left its mark, and the limber "Runner's High" features intuitive, mid-tempo interplay between the pianist, bassist Luques Curtis and drummer Kendrick Scott. Similarly, "Burn Down" bristles with invention and small-club energy and features a powerhouse solo from Scott.

Collin's interpretive skills shine on singer/guitarist John Mayer's "Stop This Train," a beautifully delicate reading given sympathetic support by Scott's deft hand percussion. Pianist Horace Silver's "Nica's Dream" seems tailor-made for Collin's light, caressing touch. On both these tunes Collin is faithful to the composers' melodies, embellishing just enough to leave his own delectable stamp without hijacking the mood of the originals. Collin exhibits broad compositional vision, gliding from the bustling, straight-ahead "Pennywise the Clown" and the lilting "Strange" to the extended, more linear "Airborne." The achingly beautiful "One Last Try" closes the CD with exquisite solo piano, and makes for a sharply contrasting bookend with the opening dramatics of "Storm."

With The Calling Collin has raised his own bar. Touch, compositional flair and technique all seduce, but are trumped by the emotional strength in Collin's writing and playing. Still in his early 30s and immersed in a plethora of widely varying collaborations and projects that can only further broaden his musical palette, the possibilities now seem endless.


Track Listing: Storm; The Calling; Runner’s High; Stop This Train; Burn Down; Pennywise the Clown; Greyshot; Strange; Nica’s Dream; Airborne; Aftermath; One Last Try.

Personnel: Romain Collin: piano, programming; Luques Curtis: bass; Kendrick Scott: drums; John Shannon: guitar (1, 5, 7); Adrian Daurov: cello (1, 5).

Year Released: 2012 | Record Label: Palmetto Records | Style: Modern Jazz


Related Video

Shop

More Articles

Read The Angel and the Brute Sing Songs of Rapture CD/LP/Track Review The Angel and the Brute Sing Songs of Rapture
by Karl Ackermann
Published: February 25, 2017
Read Coldest Second Yesterday CD/LP/Track Review Coldest Second Yesterday
by John Sharpe
Published: February 25, 2017
Read Follow Your Heart CD/LP/Track Review Follow Your Heart
by Mark Corroto
Published: February 25, 2017
Read The Sound of Surprise: Live at the Side Door CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read Chicago II CD/LP/Track Review Chicago II
by Doug Collette
Published: February 25, 2017
Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read "AMa AZa LaNdO" CD/LP/Track Review AMa AZa LaNdO
by Geno Thackara
Published: August 23, 2016
Read "The Space Between" CD/LP/Track Review The Space Between
by Roger Farbey
Published: October 22, 2016
Read "Vanheusenism: A Tribute To Jimmy Van Heusen" CD/LP/Track Review Vanheusenism: A Tribute To Jimmy Van Heusen
by Dan Bilawsky
Published: September 3, 2016
Read "Soundscapes" CD/LP/Track Review Soundscapes
by Jim Olin
Published: July 25, 2016
Read "Sunrain" CD/LP/Track Review Sunrain
by Geno Thackara
Published: November 25, 2016
Read "Shipwreck 4" CD/LP/Track Review Shipwreck 4
by Glenn Astarita
Published: October 13, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!