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Musician

Zim Ngqawana

Born:

Zim Ngqawana has been hailed by Johannesburg's leading daily paper, The Star, as "The most visible, hardest working younger man in jazz." He is one of the new generation of South African musicians who are taking a fresh look at South Africa's jazz and traditional music heritage. Zim made his mark at the historic Inauguration of President Nelson Mandela in 1994, where he directed the 100 person 'Drums for Peace Ochestra', led an elite group of 12 Presidential drummers and featured as a solo saxophonist.

This recognition came after a late start and some tough struggles. Born in 1959 in Port Elizabeth (in South Africa's Eastern Cape), Zim was the youngest of five children who started playing flute at the age of 21. Although Zim was forced to drop out of school before completing university entrance requirements, his prowess won him a place at Rhodes University. He later went on to study for a diploma in Jazz Studies at the University of Natal.

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Article: Radio & Podcasts

South Africa's Legendary Jazz Musicians

Read "South Africa's Legendary Jazz Musicians" reviewed by Larry Slater

by Larry Slater

South African jazz has such an identifiable sound. It is a blending of musical cultures which arose from the oppressive conditions experienced by black South Africans.Abdullah Ibrahim, Hugh Masekela and Miriam Makeba left South Africa and became internationally recognized artists, particularly in the US. Many other distinctive South African jazz musicians chose to stay, ...

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Article: African Jazz

The Life and Times of South African Jazz

Read "The Life and Times of South African Jazz" reviewed by Philip Songa

by Philip Songa

This article was first published on All About Jazz in January 2004. South Africa has always been a little different from other countries on the African continent. That uniqueness has extended in many directions, but South Africa (SA) is uniquely remembered in the world as the only country to have suffered from apartheid. Despite, ...

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Article: Interview

BigSpoon's Chris Engel: Intention... And Spontaneity

Read "BigSpoon's Chris Engel: Intention...  And Spontaneity" reviewed by Ian Patterson

by Ian Patterson

So much goes into a debut album—a lifetime of learning, experiences and myriad influences. The music that springs forth is also often shaped in subtle and unfathomable ways that are sometimes not entirely clear even to the composer. Some musical reference points may appear obvious, others much less so, and so it is with ...

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Article: Book Review

Playing For Keeps: Improvisation In The Aftermath

Read "Playing For Keeps: Improvisation In The Aftermath" reviewed by Ian Patterson

by Ian Patterson

Playing For Keeps: Improvisation In The Aftermath Edited by Daniel Fischlin & Eric Porter 352 Pages ISBN: 978-1-4780-0814-9 Duke University Press 2020 Musical improvisation is often described as a conversation. A universal language. Musicians trading back and forth seem to be having a blast, which, on occasion, for ...

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Article: Interview

Claude Cozens: Reimagining Rhythm

Read "Claude Cozens: Reimagining Rhythm" reviewed by Seton Hawkins

by Seton Hawkins

The Cape Jazz sound of South Africa is known to international audiences primarily thanks to the music of pianist Abdullah Ibrahim. However, the music and traditions of Cape Town and the Western Cape run much deeper, reflecting an extraordinary, sometimes contradictory, and exceedingly complex set of cultures and traditions reflected in the area. Within this environment ...

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Article: Radio & Podcasts

Jazz of the New South Africa, Part 1

Read "Jazz of the New South Africa, Part 1" reviewed by Seton Hawkins

by Seton Hawkins

South Africa celebrated its first democratic elections in April 1994, entering a new phase of its history. During that decade, an incredible new array of Jazz artists emerged in the country, exploring Jazz's role in the New South Africa. Playlist Bheki Mseleku “Closer to the Source" from Celebration (World Circuit) 2:03 Paul Hanmer ...

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Article: Interview

Thandi Ntuli: On Exile

Read "Thandi Ntuli: On Exile" reviewed by Seton Hawkins

by Seton Hawkins

South African pianist, composer, and vocalist Thandi Ntuli entered 2018 not with a bang, but with a thermonuclear blast. At the close of 2017, she had been selected as the recipient of the 2018 Standard Bank Young Artist Award in Jazz, anointing her as the latest figure in an incredible lineage of South African ...

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Article: Interview

Bokani Dyer: African Piano

Read "Bokani Dyer: African Piano" reviewed by Seton Hawkins

by Seton Hawkins

Throughout this decade, pianist, composer, and bandleader Bokani Dyer has stood as one of the most formidable and creative keyboard talents in South Africa today. Raised in a musical family--his father is the legendary saxophonist Steve Dyer--Bokani Dyer quickly demonstrated an extraordinary musical vision and identity of his own. Indeed, albums of his, notably Emancipate the ...

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Article: Interview

Salim Washington: To Be Moved to Speak

Read "Salim Washington: To Be Moved to Speak" reviewed by Seton Hawkins

by Seton Hawkins

To audiences in Boston or New York, Salim Washington is not just a great musician, he is a community builder. Having first established the Roxbury Blues Aesthetic, then the Harlem Arts Ensemble, Washington has throughout his career carefully nurtured collectives of musicians who in turn generated irreplaceable music scenes at venues like Connolly's in Boston and ...


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