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Yuri Honing Acoustic Quartet: Bluebeard
by Bruce Lindsay
Mournful. That's the adjective that springs to mind when Dutch musician Yuri Honing blows his saxophone on Bluebeard. Blows" is something of a mis-description though: Honing's considered approach to his instrument is closer to caressing. His sound and approach are mirrored by his bandmates, who are equally adept at such a distinctive form of creativity. The ...
About Yuri Honing
Instrument: Saxophone, tenor
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Yuri Honing
From the very start saxophonist Yuri Honing entered the jazz scene in the early nineties, he found new ways to move people with his slightly melancholic sound and crystal clear constructions he uses for his improvisations. He started playing a/o with his famous Yuri Honing Trio - which celebrates its 15 th anniversary in 2005 - but also with highly acclaimed Dutch artists such as pianist Michiel Borstlap, trumpet player Eric Vloeimans and saxophonist Benjamin Herman. The year 1996 is a turning point in Honing's career when he and his trio recorded 'Star Tracks', consisting of jazz arrangements of pop songs
Joost Lijbaart: Under The Surface
by Mark Sullivan
Dutch drummer Joost Lijbaart (known for his work with Dutch saxophonist Yuri Honing) first performed with this trio at the request of vocalist Sanne Rambags, along with guitarist Bram Stadhouders (known for his work with the Netherlands chamber choir, American drummer Jim Black and Norwegian vocalist Sidsel Endresen). At the time Rambags was twenty years old, ...
Björk: Jazz Muse & Hyperballadeer
by Ludovico Granvassu
If jazz is, as someone put it, the sound of surprise, then it makes complete sense that countless musicians have become enamored with the music of Björk. Like the most innovative jazz musicians, Bjork is a restless artist who tries to continuously reinvent herself, often blending familiar sources in completely unprecedented ways, and deliberately challenging the ...
Jazz Renditions of Blues, Soul, Pop & Rock Hits (Part 2)
by Ludovico Granvassu
This week we continue our exploration of jazz interpretations of today's popular music, with renditions of the songs of artists ranging from Kraftwerk to Sly Stone, from Bjork to Frank Zappa, from J.J. Cale to Bob Marley and more. Happy listening! And if you like this episode, check Part 1 Playlist ...
Joost Lijbaart: Under The Surface
by Ian Patterson
Silence frames music--before it sounds and after the final vibration of the last note has died. Often associated with an absence of communication, silence is also revered in certain communal ritual/cultural spaces. Poetic or damning, eerie or calming, silence never leaves us indifferent. Some composers have embraced it to a significant degree as part of the ...
Various Artists: E.S.T. Symphony
by Ian Patterson
Before Esbjorn Svensson's tragic death in 2008 there were clear signs that e.s.t. was hungry to explore new musical terrain; Leucocyte (ACT Records, 2008), the trio's live-in-the-studio improvisation with its metal-jazz thunder, brooding electronics and epic excursions was proof of that. However, five years previously, Svensson, Dan Berglund and Magnus Ostrom had played a handful of ...
November Music 2016
by Henning Bolte
November Music s'Hertogenbosch, The Netherlands November 11-13, 2016 November Music is a yearly festival, founded in 1993. It is held in the medieval town of s'-Hertogenbosch, in the southeast part of The Netherlands. s'-Hertogenbosch (also called Den Bosch) was the hometown of well-known Dutch painter Jheronimus Bosch (1450-1516) who died 500 years ...
Girls in Airports: Fables
by Ian Patterson
Copenhagen quartet Girls in Airport is in fine form on Fables, its fourth release, and first on the Edition Records label. There are fewer big tunes than before although the band's trademark melodic hooks and rhythmic drive, its understated lyricism and hypnotic grooves are all present in abundance. What's been brought into sharper focus is the ...
Gent Jazz Festival 2015: Part 1
by Martin Longley
Gent Jazz Festival Bijloke Gent, Belgium July 10-12, 2015 Part 1 | Part 2 A bold beginning was made with the festival's opening night, perhaps concentrating on some of director Bertrand Flamang's personal favourites. This evening was never destined to be a sell-out session, but ...