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968

Article: Interview

Wycliffe Gordon: Keeping the Spirit and the Letter Alive

Read "Wycliffe Gordon: Keeping the Spirit and the Letter Alive" reviewed by Marcia Hillman


Wycliffe Gordon is one of the busiest jazz trombone players in the business today. He has traveled the world performing with the Wynton Marsalis Septet and Lincoln Center Jazz Orchestra, under his own name and as a duo with Jay Leonhart. As an educator he has performed and taught master classes at various schools. ...

196

Article: Album Review

Edmar Casteneda: Entre Cuerdas

Read "Entre Cuerdas" reviewed by Woodrow Wilkins


The harp is a jazz instrument? Though not as widely appreciated as, say, the saxophone, a few daring souls have taken this classical instrument into the world of improvisation--among them, Dorothy Ashby, Deborah Henson-Conant and Lori Andrews. Colombian-born Edmar Casteneda is another in their ranks. Casteneda began playing harp at age 13. His career ...

236

Article: New York Beat

Ladies From Afar

Read "Ladies From Afar" reviewed by Nick Catalano


This month we celebrate the ever-increasing expansion of jazz overseas, particularly two foreign women who, for different reasons, have captured the jazz spirit: Roberta Gambarini from Torino, Italy and Amina Figarova from Baku, Aserbaijan. Gambarini arrived in New York not long ago and immediately jumped into the Gotham jazz scene, sharing the stage with ...

338

Article: Album Review

Terence Blanchard: Choices

Read "Choices" reviewed by Mark F. Turner


Trumpeter/band leader/ film scorer Terence Blanchard is the epitome of an artist who's made good choices. One of the distinct voices in the post-Miles Davis and Wynton Marsalis era, he has moved from being a young-lion with seminal players such as Donald Harrison in Black Pearl (Columbia, 1988), to delivering progressive projects such as Flow (Blue ...

1,119

Article: From Far and Wide

A Camera's Eye View: Festival International de Jazz de Montreal 2009

Read "A Camera's Eye View: Festival International de Jazz de Montreal 2009" reviewed by Bill King


Festival International de Jazz de Montreal Montreal, Quebec, Canada July 1-12, 2009 There is something truly empowering situated behind the lens of a camera waiting with expectation for the moment when the soul, mind and body of an artist strike bare wires and something electric unexpectedly happens. Privately, ownership ...

301

Article: Album Review

Wessell "Warmdaddy" Anderson: Warm It Up Warmdaddy!

Read "Warm It Up Warmdaddy!" reviewed by Bruce Lindsay


Wessell “Warmdaddy" Anderson has been playing alto saxophone professionally for over 20 years, much of the time with the Wynton Marsalis Sextet and the Jazz at Lincoln Center Orchestra, but has only four albums to his name as a leader. Warm It Up Warmdaddy! is a re-packaging, by Nu Jazz Records, of his self-released 2006 CD, ...

347

Article: Album Review

Dave Holland / Gonzalo Rubalcaba / Chris Potter / Eric Harland: The Monterey Quartet: Live at the 2007 Monterey Jazz Festival

Read "The Monterey Quartet: Live at the 2007 Monterey Jazz Festival" reviewed by Mark Corroto


Supergroups thrown together for jazz festivals are, as a general rule, a disappointment. The chemistry of a regular working unit is usually missing, and they tend to resort to “theme-solo-theme" weariness. Not so when the supergroup is made up of dedicated composers and listeners such as The Monterey Quartet, assembled on the occasion of Monterey's 50th ...

352

Article: From Far and Wide

First Lady Knows "Salt Peanuts!"

Read "First Lady Knows "Salt Peanuts!"" reviewed by Fradley Garner


JAZZ FOUND A PLACE in more than the president's BlackBerry when the first lady invited some 150 young music high school students to the White House this summer for an afternoon workshop led by Wynton Marsalis and four other members of the distinguished trumpeter's musical family. The youngsters were instructed in “American History and Jazz," “Syntax ...

316

Article: Book Review

Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz

Read "Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz" reviewed by David Rickert


Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz James Howland Hardcover; 360 pages ISBN: 978-0-472-11605-8 University of Michigan Press 2009 Ellington Uptown addresses the development of concert jazz, a largely neglected style that emerged near the beginning of the ...

226

Article: Take Five With...

Take Five With Michael Tinholme

Read "Take Five With Michael Tinholme" reviewed by AAJ Staff


Meet Michael Tinholme: Michael Tinholme was discovered by Tom Fowler, a legendary bassist/producer for Ray Charles. They've been working together and recording non-stop with some of today's most talented artists and musicians. Achieving continual airplay since his debut, Michael's emotionally charged singing style is finding an enthusiastic audience all over the world.Instrument(s):Vocals, ...


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