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Article: Album Review

Cynthia Sayer: Joyride

Read "Joyride" reviewed by Nicholas F. Mondello


Banjo!--one's mental and aural images might include straw-hatted gents picking away at an attraction at Disney World, Stubby Kaye and Nat King Cole strolling in Cat Ballou, (Columbia Pictures, 1965) “The Beverly Hillbillies Theme," or perhaps the iconic “duel" from Deliverance (Warner Bros., 1972) There's probably no other musical instrument on the planet that's more associated ...

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Article: We Travel the Spaceways

Jazz: A Blessed Obsession

Read "Jazz: A Blessed Obsession" reviewed by Mark Corroto


Jazz listeners travel some strange and beautiful paths. It might have all begun with collectors trying to find a legendary Edison cylinder that New Orleans trumpeter Buddy Bolden--some believe to be the very first jazz musician--may (or may not) have recorded in 1904. Fast forward to modern times, a quick scan of eBay and the exorbitant ...

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Article: Album Review

Frank Vignola & Vinny Raniolo: Melody Magic

Read "Melody Magic" reviewed by Dan Bilawsky


Melody Magic is a fun-and-attractive, finely crafted collection of some of the greatest classic(al) music melodies in existence, arranged by one of the most talented, earnest-and-enlightened guitarists in the business today. Frank Vignola, who's worked with everybody from guitar innovator/icon Les Paul to trumpeter/jazz figurehead Wynton Marsalis, and Vinny Raniolo, his young guitar wielding brother-in-arms, join ...

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Article: Live Review

Jazz at Lincoln Center Orchestra with Wynton Marsalis, Mesa, AZ, March 8, 2013

Read "Jazz at Lincoln Center Orchestra with Wynton Marsalis, Mesa, AZ, March 8, 2013" reviewed by Patricia Myers


Jazz at Lincoln Center Orchestra with Wynton MarsalisMesa Arts CenterMesa, AZMarch 8, 2013The 25th anniversary concert by the Jazz at Lincoln Center Orchestra with Wynton Marsalis was an homage to the past, sparked by elements of modernism with a mix of standards by Duke Ellington, Gerry Mulligan and Chick Corea, plus ...

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Article: Extended Analysis

Art Blakey and the Jazz Messengers: Moanin'

Read "Art Blakey and the Jazz Messengers: Moanin'" reviewed by Mike Oppenheim


Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...

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Article: Album Review

Pharez Whitted: For The People

Read "For The People" reviewed by Ian Patterson


Saxophonist Pharez Whitted has had an unusual recording career. Fourteen years separated Mysterious Cargo (Motown Records, 1996) from Transient Journey (Owl Studios, 2010), as Whitted dedicated himself to jazz education and sideman appearances with the likes of drummer Elvin Jones, trumpeter Wynton Marsalis and pianist Ramsey Lewis. In this context, For the People comes after a ...

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Article: Meet the Staff

Meet Jeff Fitzgerald Genius

Read "Meet Jeff Fitzgerald Genius" reviewed by AAJ Staff


I currently live in: Roanoke, VAI joined All About Jazz in: 2001What made you decide to contribute to All About Jazz? I discovered the site and thought they might appreciate my peculiar talents.How do you contribute to All About Jazz? I write the Genius Guide to Jazz, the occasional April ...

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Article: Album Review

Buffalo Philharmonic Orchestra / Jo Ann Falletta: Duke Ellington: Black, Brown, and Beige

Read "Duke Ellington: Black, Brown, and Beige" reviewed by C. Michael Bailey


Naxos Records' American Classics imprint was intended to highlight the domestic classical repertoire. This includes reaching from John Philip Sousa wind works and John Adams operas to Charles Ives songs and Leonard Bernstein Broadway shows. Jazz made a claim with the imprint, and the America Classics eventually included recordings of Scott Joplin rags, Art Tatum piano ...

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Article: Take Five With...

Take Five With Charley Rich

Read "Take Five With Charley Rich" reviewed by AAJ Staff


Meet Charley Rich:Guitarist Charley Rich studied privately with notables Joe Monk and Harry Leahy. At Stony Brook, he focused on composition, studied with Richard Dyer-Bennet and then spent a year at Berklee College of Music. After college he played the club scene in NYC, performed for impresario Sid Bernstein, studied classical guitar with Jerry ...

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Article: Opinion

Death, Rebirth & New Revolution

Read "Death, Rebirth & New Revolution" reviewed by Ian Patterson


The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...


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