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311

Article: Album Review

Bryan Beninghove: Organ Trio

Read "Organ Trio" reviewed by Woodrow Wilkins


Bryan Beninghove puts a different spin on the jazz trio. Instead of piano or guitar with bass and drums, he heads sax-organ-drums combo. It makes for an interesting, off-the-beaten-path recording, aptly titled Organ Trio.Saxophonist/composer Beninghove hails from the Baltimore suburb of Westminster, Md. He has performed with such musicians as Rufus Reid, Jamey Haddad ...

298

Article: Album Review

Too Blue Lou and the Groove: The Birth of Hip Bop

Read "The Birth of Hip Bop" reviewed by Woodrow Wilkins


Not all attempts to blend jazz with rap are successful. Often, it's R&B or hip-hop packaged in a way that fools people into thinking it is jazz when it isn't. Once in a while, a merger of these genres works. The Birth of Hip Bop, by Too Blue Lou and the Groove, is one such merger.

138

Article: Album Review

Tim Hagans: Alone Together

Read "Alone Together" reviewed by Woodrow Wilkins


The nice thing about jazz is that even when an artist covers a standard that has been recorded many times and many ways, the music can still sound like something new, despite its familiar feel. Trumpeter Tim Hagans accomplishes this on Alone Together, a mix of old and new. A Dayton (Ohio) native, Hagans ...

225

Article: Album Review

David Benoit: Heroes

Read "Heroes" reviewed by Woodrow Wilkins


An ongoing trend in music is for veteran artists to do albums comprised of cover songs--whether to celebrate a particular musician, era or record label, revisit the music they grew up with or for commercial reasons. Done poorly, the collection can be trite. Pianist/keyboardist David Benoit attempts to avoid that pitfall with Heroes, a mixed bag ...

258

Article: Album Review

Hiromi's Sonicbloom: Beyond Standards

Read "Beyond Standards" reviewed by Woodrow Wilkins


If music reviews are starting to have an air of familiarity about them, it's because the music calls for it. So many new releases are comprised mostly--if not entirely--of cover songs, summarizing the sound can be as effortless as striking the on/off switch. Fortunately, some artists aren't content to merely record their version of something old. ...

252

Article: Album Review

Saxophone Summit: Joe Lovano, Dave Liebman, Ravi Coltrane: Seraphic Light

Read "Seraphic Light" reviewed by Woodrow Wilkins


When three prominent saxophone players come together to honor one of their highly regarded brethren, and include compositions by one of the most revered instrumentalists ever, the listener is in for a treat. So it is with Seraphic Light by Saxophone Summit, led by the trio of Ravi Coltrane, Joe Lovano and Dave Liebman.

168

Article: Album Review

Mark Weinstein: Straight, No Chaser

Read "Straight, No Chaser" reviewed by Woodrow Wilkins


Mark Weinstein scored a Best Latin Jazz Flautist honor for Con Alma (Jazzheads, 2007). To follow that up, he turns to bebop with Straight, No Chaser, a mix of original and cover tunes, including some composed by such jazz icons as Wayne Shorter, Sonny Rollins and Thelonious Monk.Weinstein was a trombonist and composer for ...

381

Article: Album Review

Esperanza Spalding: Esperanza

Read "Esperanza" reviewed by Woodrow Wilkins


From a guest appearance on Stanley Clarke's The Toys of Men (Heads Up, 2007) to her self-titled debut, Esperanza Spalding is turning heads, and opening lots of ears. After an appearance on The Late Show with David Letterman, the host called the 23-year-old vocalist/bassist/composer “the coolest guest" he'd ever had. Spalding is indeed cool, ...

249

Article: Album Review

Salongo: Salongo

Read "Salongo" reviewed by Woodrow Wilkins


Like something straight out of Bahia, “Brasilian Sunset" puts one in the mood to samba. The track is one of eight Eddie Allen originals on Salongo's self-titled album, a mix of African, Cuban, Brazilian and even a taste of Santana. Allen plays trumpet, flugelhorn, electric trumpet and performs hand claps and vocals. A versatile ...

456

Article: Album Review

Gerald Albright: Sax for Stax

Read "Sax for Stax" reviewed by Woodrow Wilkins


It's all about Memphis with Gerald Albright's Sax for Stax. The veteran saxophonist revisits the sounds of the 1960s and '70s that helped define a label and, to a certain degree, a generation of soul musicians. A native of Los Angeles, Albright has effortless straddled the line between jazz and R&B, making music that ...


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