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Muhammad Ali: From a Family of Percussionists
by Clifford Allen
Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...
Fred Anderson: 1929-2010
by Kurt Gottschalk
There aren't many artists with so singular a vision as that of late Fred Anderson, who died June 24 at the age of 81. There are fewer to be certain if the list is restricted to members of that exalted and nebulous class called “masters." It's a word that, in jazz, gets thrown around a little ...
Kadima Collective
by Stuart Broomer
When you first come across the recordings on Kadima Collective, a couple of things stand out. The first is that the label, devoted to free improvisation, is based in Israel; secondly, there's a good chance that the CD will feature a bassist, often one of substantial international stature, like Barre Phillips, Mark Dresser or Joëlle Léandre. ...
David S. Ware: Gravitation
by Martin Longley
It wasn't the kidney transplant that brought saxophonist David S. Ware very close to wheelchair confinement. Last September (2009), there were early signs of organ rejection, so he was placed on a course of steroids. These came with side effects that were more debilitating than last year's operation itself. Since then, Ware has been in a ...
John Blum: Who Begat Eye
by Martin Longley
Pianist John Blum is a native New Yorker who has been immersed in the city's free improvisation scene for the last 15 years. His work with bassist William Parker and drummer Sunny Murray has had the highest profile and last year's release by this trio, In The Shade Of Sun, appeared on guitarist Thurston Moore's Ecstatic ...
Silent Solos: Improvisers Speak
by Jakob Baekgaard
Silent Solos: Improvisers Speak Soft cover; 174 pages ISBN: 978-3-00-030557-3 Buddy's Knife 2010 Improvisation, at its best, is about instinct. At its worst, it's an intellectual exercise, cold and theoretical, without an emotional perspective. Fortunately, the beautifully produced Silent Solos: Improvisers Speak avoids the pitfalls of ...
David S. Ware and Joe Rigby: Loft Jazz Soloists
by Clifford Allen
In the void left by the deaths of saxophonists John Coltrane and Albert Ayler, among the cheap rents in Lower Manhattan and Brooklyn offering space to artists and musicians, the presence of affordable loft spaces birthed an intersection of jazz scenes in the 1970s. The music itself favored a variety of approaches, mostly built on the ...
Susie Ibarra: Drum Sketches
by Karl Ackermann
When some of jazz music's more adventurous drummers want to showcase their talents, they usually do so in tandem with another player who, ideally, has enough brand equity to generate collateral interest. Solo percussion recordings rarely generate a queue on release--in large part due to the absence of melody and the almost ubiquitous presence of discordant ...
Oles Brothers with Rob Brown: Live At SJC
by Mark Corroto
It's funny how certain jazz players find other kindred spirits to play with. Where would Ornette Coleman have been if he hadn't found Charlie Haden? Or McCoy Tyner without John Coltrane? Like minds always seem to find and sometimes track down each other. Such is the case with the Polish brothers Marcin Oles (bass) and Bartlomiej ...
Kallerdahl / Seglem / Ulvo / Hole / Sjovaag: Skoddeheimen
by John Kelman
With NORSKjazz.no (Ozella Music, 2009), veteran saxophonist, producer, label head and goat horn virtuoso Karl Seglem brought a distinctive Norwegian flavor to the conventional sax/piano/bass/drums format. By recruiting younger players, Seglem ensured the continuance of his country's jazz tradition--one as imbued by folkloric elements and dark classicism as it is the American vernacular--through the increasingly endangered ...
