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Musician

Walter Page

Born:

The territorial bands were based primarily in Oklahoma and Texas. Territorial bands earned that name by touring a circuit that extended south to the Mexican border, north to Canada, west to Denver and east to St. Louis. These bands were musical scrappers and very protective of their turf. Disputes were settled by bare-knuckled "cutting" contests called battles of the bands. Walter Page made his initial musical mark as the leader of the Blue Devils, one of the southwest's most notorious territorial bands. Walter Page was born in Gallatin, Missouri. His musical training began at Lincoln High School

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Article: Live Review

Brilliant Corners 2023

Read "Brilliant Corners 2023" reviewed by Ian Patterson


Brilliant Corners Black Box jny:Belfast, N. Ireland 2-11 March, 2023 One of the highlights of Belfast's music calendar, Brilliant Corners' eleventh annual shindig served up thirteen concerts over nine days. As ever, the main venue was Black Box, where audiences were treated to the best of Irish, British, European and North ...

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Article: Interview

Rick Lawn: The Evolution of Big Band Sounds in America

Read "Rick Lawn: The Evolution of Big Band Sounds in America" reviewed by Victor L. Schermer


From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...

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Article: Under the Radar

Blue Highways and Sweet Music: The Territory Bands, Part II

Read "Blue Highways and Sweet Music: The Territory Bands, Part II" reviewed by Karl Ackermann


Part 1 | Part 2 Part 1 of Blue Highways and Sweet Music: The Territory Bands looked at the roots, drivers and challenges of the travelling groups who brought jazz music to the non-urban areas of the Southern Plains, through one-night-stands, in often impromptu venues. A black phenomenon, often misappropriated by white musicians, promoters, ...

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Article: Book Excerpts

On Highway 61: Music, Race, and the Evolution of Cultural Freedom

Read "On Highway 61: Music, Race, and the Evolution of Cultural Freedom" reviewed by Dennis McNally


The following is an excerpt from the “Spirituals to Swing" chapter of On Highway 61: Music, Race, and the Evolution of Cultural Freedom by Dennis McNally (Counterpoint Press, Berkeley, 2014). Danny Barker, who in the 1930s was Cab Calloway's guitarist, told a particularly revealing story of working at the Nest Club, a Harlem ...

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Article: Live Review

Clayton-Hamilton Jazz Orchestra at Mesa Arts Center

Read "Clayton-Hamilton Jazz Orchestra at Mesa Arts Center" reviewed by Patricia Myers


Clayton-Hamilton Jazz Orchestra Mesa Arts Center Mesa, Arizona March 7, 2014 The Clayton-Hamilton Jazz Orchestra, one of the best big bands in the nation for three decades, swung mightily all night long with strong section work and stylish solos arranged for specific members, per Duke Ellington and Count Basie. A brief ...

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Article: Live Review

Rick Lawn's Power of Ten at Chris' Jazz Cafe

Read "Rick Lawn's Power of Ten at Chris' Jazz Cafe" reviewed by Victor L. Schermer


Power of Ten Rick Lawn, Musical Director Chris' Jazz Café Philadelphia, PA February 4, 2014 The Power of Ten is a cracker-jack ensemble of some of the best Philadelphia-based musicians. Powered by its founder and leader, Rick Lawn, their first and only CD, Earth Tones (Self-produced, ...

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Article: Live Review

Sligo Jazz Project 2013: Days 4-6

Read "Sligo Jazz Project 2013: Days 4-6" reviewed by Ian Patterson


Sligo Jazz ProjectVarious VenuesSligo, Ireland July 16-21, 2013After three action-packed days at Sligo Jazz Project, with SJP founder/bassist Eddie Lee and drummer David Lyttle's world premiere of The Barinthus Suite providing an unforgettable highlight, the first signs of attrition amongst the students were beginning to show. The non-stop nature of the ...

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Article: Under the Radar

Eddie Durham: Genius in the Shadows

Read "Eddie Durham: Genius in the Shadows" reviewed by Jim Gerard


On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...

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Article: Extended Analysis

Mel Powell: Four Classic Albums Plus

Read "Mel Powell: Four Classic Albums Plus" reviewed by David Rickert


Mel PowellFour Classic Albums PlusAvid Records2012 Mel Powell replaced Teddy Wilson in the piano chair in the Benny Goodman band, took over the Glenn Miller Orchestra after the leader's demise, and followed both gigs with a career in the studios as a pianist and arranger. Then in the ...


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