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Renewing the Legacy: The Day 2 Musical Odyssey at the Newport Jazz Festival
by Dave Kaufman
Day 1 | Day 2 | Part 3 The first day at the Newport showcased a multitude of performers who could be described as “beyond jazz" or “jazz adjacent." Their performances were greeted enthusiastically, and they added a palpable energy and a festive vibe. In the last two days of the festival, the balance ...
Cindy Blackman Santana: Rhythmic And Musical Force
by R.J. DeLuke
It's the 1980s in New York City. It's the place to be for musicians looking to make a name for themselves with hopes of finding steady gigs and recording dates. Drummer Cindy Blackman (long before her marriage to Carlos Santana) is there, fresh out of Berklee College of Music. She's there to meet people, ...
Miles Davis Celebration at SFJAZZ Center
by Harry S. Pariser
Music of Miles Davis: A Celebration SFJAZZ Center San Francisco, CA May 25-29, 2023 Music of Miles Davis: A Celebration For four consecutive nights, four different ensembles graced the stage of SFJAZZ Center to present four aspects of the musical legacy of renowned trumpeter Miles Davis The evenings also featured compositions ...
Orrin Evans: The Red Door
by Mike Jurkovic
A most generous craftsman, composer and bandleader, pianist Orrin Evans never fails to bring out the best of whoever he chooses to create with. The Red Door is gratefully, and gracefully, no exception to that rule. Whatever musical setting Evans chooses to practice his sinewy, r'n'b inflected post-bop in--sideman, big band, trio, quartet, duo, ...
Jazz Musician of the Day: Wallace Roney
All About Jazz is celebrating Wallace Roney's birthday today! Wallace Roney is from Philadelphia, PA, born May 25, 1960. He began his musical studies at the age of five, learning rhythmic dictation and sight-reading. He began playing the trumpet at age six. He was identified as a prodigy and was awarded a scholarship to the Settlement ...
Wayne Escoffery: Still Forging Ahead
by R.J. DeLuke
Saxophonist Wayne Escoffery has a long, ongoing association with the Mingus Big Band organization, including a Grammy for Mingus Big Band Live at Jazz Standard (Jazz Workshop, Inc., Sue Mingus Music, 2010). His career also includes a special relationship with trumpeter Tom Harrell, with whom he has played for many years. All that is enough to ...
Jonathan Barber: Blazing Forward
by K. Shackelford
Jonathan Barber is a force to be reckoned with. Pulling out a drum solo with just one high hat, making it an artful and meaningful rhythm to the composition at hand with intentional rhythmic sonority is rare. Yet this is one example of the ways that Jonathan Barber pulls out a surfeit of ideas ...
Wallace Roney: Understanding
by John Kelman
With the concept of mentoring an increasingly forgotten part of how young, up-and-coming musicians cut their teeth--learning from older, more experienced musicians before heading out into the world as leaders--the jazz world needs more people like Wallace Roney. One look at every record the trumpeter has made since signing with HighNote in 2004, with Prototype the ...
George Colligan: Ultimatum
by C. Andrew Hovan
Unlike classical music, where so much of the performance is based on an authentic interpretation of the material, jazz has always been more about inventiveness and the musician's quest to find an original voice. Additionally, some of the most innovative artists in the genre have been known not only for their instrumental prowess, but also for ...
Dezron Douglas: Atalaya
by Chris May
Atalaya is Dezron Douglas' first full-length album leading a band in over four years. The bassist's recent sightings have whet the appetite rather than deliver the main course. Black Lion (Self Produced, 2018), made with a sextet, attracted good notices, but was an EP. His appearance on drummer Makaya McCraven's Universal Beings (International Anthem, 2018) was ...
