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Attila Zoller and Don Friedman
Attila Zoller is another guitarist who's fame has unfairly faded with time among jazz fans. Like guitarist Gabor Szabo, Zoller was a Hungarian refugee who escaped Soviet invasion. He found his way to Austria in 1948 and moved to the U.S. in 1959 to perform, record and teach. He also had enormous influence over the jazz ...
Tiny Grimes on Prestige
In the 1950s, musicians who could play jazz, blues and R&B increased their income considerably. Guitarist Tiny Grimes was one of those who could switch around depending on the recording and touring opportunity. For much of the early and mid-1950s, Grimes was on the road extensively fronting an R&B group called Tiny Grimes and His Rocking ...
Buddy & Ella Johnson: Walk 'Em
Back in the early 1950s, R&B was still largely unknown by white radio listeners and record buyers. Marketed to adults in Black urban neighborhoods on jukeboxes in corner bars and clubs, R&B's dance beat picked up where swing left off and modern jazz began. Swing dancing faded after World War II as marriage rates climbed. Many ...
Gábor Szabó: Gypsy '66
Mainstream jazz in the 1960s had a distinct sound. Artists such as Paul Desmond, Jim Hall, Wes Montgomery, Wayne Shorter, Gary Burton, Bill Evans, Miles Davis, Horace Silver and others were influenced by the emerging young-adult scene that ran parallel to the teenage youthquake. Sixties jazz was eclectic and shaded by the revolution in pop music, ...
Sean Connery's Lined Face
The sad death of Sean Connery over the weekend took me back. Those of us who were around in the early 1960s remember the secret-agent craze that began with the wild popularity of his James Bond movies. At the start in '62, Bond predated the Beatles in America by two years and was responsible for launching ...
Elmo Hope and Joe Morris
Bebop's fast tempo and complex rhythms were embraced by modern-jazz fans when the jazz style emerged in the mid-1940s. But bop also provided jump blues with an opening. Bebop was spectacular and electrifying, but it wasn't for dancing. It was mostly for sitting and listening. As a result, the big-beat, horn-driven dance music made major inroads ...
YouTubers Dig Chet Baker
Every so often, I come across talented kids on YouTube playing the music of favorite jazz artists on their instruments. Either they're playing transcriptions of artists' solos or they're playing along to their records. What unites them is a clear passion for the music's beauty. In the past, I've featured kids playing pianist Red Garland and ...
Dave Schildkraut: Key Ingredient
Alto saxophonist Dave Schildkraut didn't record on a bad album. Except perhaps his own leadership session, at the tail end of his recording career in 1979. By then, he sounded coarse and tapped out. But if you look through his discography and listen to the recordings, the New York jazz session player managed to draw only ...
Henri Salvador, Part 2
Yesterday, I posted on French singer-entertainer Henri Salvador and his career up until his semi-retirement at age 78 in 1995. Today, I'm posting about one of pop's most startling comebacks topped only by Tony Bennett's. This rebound also featured Salvador's passion for Brazil. First, let's look at his first visit to the South American country. On ...
Henri Salvador, Part 1
Henri Salvador was a French singer, musician and dancer whose talents were so exceptional and profound, we don't really have anyone of comparable status in the U.S. Salvador played guitar and trumpet, he sang beautifully and he was a star in virtually every music genre, including jazz, pop, chanson, cabaret, rock 'n' roll and bossa nova. ...
