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Lockjaw Davis Meets the Hammond
Tenor saxophonist Eddie “Lockjaw" Davis was among the first jazz saxophonists who used an organ combo on tour and when recording. Like many horn players who started out in R&B bands along the Chitlin' Circuit in Black communities throughout the upper Midwest in the early 1950s, Davis realized that the Hammond B-3 organ was a moneymaker. ...
Beautiful Cat: Joan Chamorro
Joan Chamorro is a jazz hero. A brilliant musician who plays bass, saxophones and clarinet, Joan is the founder and director of the Sant Andreu Jazz Band, a youth band in Barcelona, Spain. All you have to do is watch him in action in video clips to see the love he spreads and receives from his ...
Lucky Thompson's Ballads (1953-'56)
Lucky Thompson was one of the most gorgeous tenor saxophonists of the post-war period. His tone was pronounced, slippery and confidential and his improvising was as fluid and as seamless as syrup. His sweet spot was mid-tempo numbers, like Lullaby in Rhythm and East of the Sun, but his ballads also were standouts. Delivered with a ...
Dexter Gordon's Ballads (1946-'52)
Dexter Gordon in the late 1940s and early '50s was best known for jumpers such as The Chase, The Hunt and Dexter's Deck. But among his many high-energy 78s are a handful of ballads that show off his yearning, romantic tone. Here are five Dexter Gordon ballads and a bonus track: Here's Gordon in New York ...
Gene Ammons' Ballads (1950-'53)
Jazz has a long history of tenor saxophone pairings. The list includes Al Cohn and Zoot Sims, Eddie “Lockjaw" Davis and Johnny Griffin, and Dexter Gordon and Wardell Gray. Such duos initially began as improvisational battles, which were popular in clubs and then on recordings. My favorite tenor duelists were Gene “Jug" Ammons and Sonny Stitt. ...
Sonny Stitt's Ballads (1950-'51)
Between 1949 and 1952, Sonny Stitt recorded for Prestige Records. His playing was sensational—on tenor, alto and baritone saxophones. Of particular note during this period were his ballads. Here are nine of them: Here's Ain't Misbehavin', with Kenny Drew (p), Tommy Potter (b) and Art Blakey (d), in February 1950... Here's Mean to Me, from the ...
3 Don Patterson Ballads
When I started collecting Don Patterson albums in the early 1970s, I'd buy them without hearing the music first on the radio. Always a daring move back then, since you couldn't return what you didn't like. If you sliced open the plastic, you owned it. The reason I made these purchases with such confidence is that ...
Teddy Charles and Two Bookers
Teddy Charles was a heavy hitter. A vibraphonist, composer, arranger and a producer, Teddy could swing as easily as he could explore modal territory with his groups. When I started this blog back in 2007, there were a number of musicians I wanted to interview first. Among them were Danny Bank, Hal McKusick, Sol Schlinger and ...
A Day for 10 Jazz-Folk Clips
For some reason, today feels like we need some jazz-folk to remind us all what's most important—country, freedom, truth and respecting our differences. Here are 10 jazz-folk clips: Here's Brother John Sellers' Down By the Riverside in 1954, with Sir Charles Thompson (p), Freddie Green (g), Walter Page (b) and Jo Jones (d)... Here's Kitty White ...
Five Michel Legrand Duets
For some reason, I felt like hearing the music of Michel Legrand yesterday, but I couldn't figure out why. The more I thought about it, though, the more I realized that with snow falling here, the ending scene from The Umbrellas of Cherbourg (above) were likely projecting on the walls of my mind. Movies aside, here ...
