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Video

Make Someone Happy

Featuring the music of Maria Puga Lareo
Duration: 3:17

Maria Puga Lareo opens her new album My Universe with a cinematic and deeply felt interpretation of this timeless standard. Her warm, expressive voice is beautifully framed by a masterfully crafted orchestral arrangement from GRAMMY-winner Nan Schwartz, whose artistic vision and nuanced pacing bring new emotional resonance to the song. Recorded with a Hollywood string section, this rendition is a celebration of love as life’s truest measure.
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Video

Empress Afternoon

Featuring the music of Artemis
Duration: 05:07

Artemis is an all-star group that is brimming with musicality and technique. It happens that the group is all-female. The band members’ each are first-call performers: Renee Rosnes on piano, Ingrid Jensen on trumpet, Nicole Glover on tenor sax, Allison Miller on drums, Noriko Ueda on bass, and—in different time periods—Anat Cohen or Alexa Tarantino on additional woodwinds. Several members share compositional duties, but what connects their songs is an intense energy as well as appealing lead lines that are catchy while sounding outside-the-box. On "Empress Afternoon," Rosnes has rearranged her piece from the early 2000s to make the most of a robust horn section and set the tune alight.
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Video

Utopia

Featuring the music of Hiromi
Duration: 13:20

Hiromi is a master, even a "monster," on piano and jazz keyboards. She can drop a fistful of notes, then reference a composer like Bach or Gershwin, then set up an R&B groove, seemingly in the blink of an eye. The most mesmerizing element of her performances is the joy she exhibits when collaborating with a partner or her band. Beginning 2023, the pianist hand-picked a backing trio, now called Hiromi’s Sonicwonder, that could effortlessly follow and enliven her adventures. On "Utopia," check out her interplay with bassist Hadrien Ferau, which—wait for it—builds steadily into an all-band vamp, guided by trumpeter Adam O'Farrill. After watching the video, you can read a review of the band in concert via {{a: Hiromi's Sonicwonder At SFJAZZ = 581155}}.

Video

Impressions

Featuring the music of Eric Dolphy
Duration: 05:51

Eric Dolphy was a multi-woodwind giant, performing on alto sax, flute , clarinet, bass clarinet and baritone sax. His sound in the 1950s and 1960s was energetic and adventurous, featuring flurries and squawks, overtones and voice-like patterns, which helped to define free/avant-garde jazz. In this video of John Coltrane's "Impressions," Coltrane first displays his signature modal improvisation on tenor, starting at 00:18. Then, at 02:44. Dolphy simply takes off on alto sax. Suffice to say, they come across at least as equals. Dolphy was born June 20, 1928 and passed away on June 29, 1964, due to complications of diabetes.
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Video

Music Is Life

Featuring the music of Butter And The Genre
Duration: 7:13

Butter and the Genre blends jazz, soul, and funk into something bold, emotional, and alive. Their breakout single, “Music Is Life,” fuses rich horns, and raw live energy into a vibrant celebration of creativity and connection. Filmed like a short film and recorded independently, the video is semi-based on a true story—Butter met each band member at the 51st Speakeasy in Oklahoma, where their musical chemistry first sparked. The result captures generational talent and real-life authenticity, proving that real music still lives and breathes.

Video

How've You Been?

Featuring the music of Toni Jannotta
Duration: 5:53

They say your personal stories are the hardest to produce and the ones people most resonate with. This is the song/story of how I walked into my marriage after 40+ years of being single. It took guts and a great guy. Thank you for watching. Please note: Greg Gordon Smith, piano; Larry Steen, bass; Chris Wabich, drums, Scheila Gonzalez, sop sax, Erik Chapman, cello, and Yours Truly, violin. Video by Chris Jensen. Aerial photography by Guy White.
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Video

Tatomania

Featuring the music of Chucho Valdes
Duration: 04:25

"Tatomanía," by master Afro-Cuban pianist Chucho Valdés and backing trio, is a joyride in which the band literally never skips a beat. Valdés retains all the compositional freshness, percussive flare, and latin/jazz/classical influences that made him stand out for 60-plus years. On this piece, named after his percussionist, Roberto Jr. Vizcaíno Torre—or simply “Tato”—it’s the blended blur of bongos and drum kit that makes the music riveting. The entire album, Cuba and Beyond, merited a Grammy award nomination in 2024. Valdés also was named a U.S. 2025 National Endowment for the Arts Jazz Master.
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Video

Song for my Father

Featuring the music of Horace Silver
Duration: 18:55

What makes the stylings of pianist Horace Silver so identifiable? To begin with, he crafted strong bass patterns that had a weighty pulse to them. For example, his most well-known piece, "Song for my Father," was based on a bossa nova feel but reminds one less of the delicate standard "Girl from Ipanema" and more the catchy Steely Dan pop hook from "Rikki Don’t Lose that Number" (which was inspired by "Father"). In addition, he would carefully compose heads that were intended to be memorable. Finally, hints of the blues and gospel elevated his songs to reflect on the human condition. With this video being presented on AAJ on Father's Day, it's appropriate to pause and enjoy an extended performance of a standard that Silver wrote for his dad. (Music begins at 0:45.)
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Video

A Song for You (Gnossienne No. 1)

Featuring the music of Tessa Souter
Duration: 4:55

The first single from Tessa Souter's new album Shadows and Silence: The Erik Satie Project. Arranged by Luis Perdomo. Lyrics by Tessa Souter. Luis Perdomo (piano and percussion), Yasushi Nakamura (bass), Billy Drummond (drums and cymbals). Album out June 27
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Video

Crisis

Featuring the music of Andy Bey
Duration: 07:08

Jazz legend Andy Bey defied math – in this writer’s opinion, he was 60% compact pianist, 80% guttural baritone singer, and 110% soul. Care was given to every phrase he delivered, and he could make those phrases elevate the conscience, bemoan one’s situation, or drip with irony. His keyboard technique was reminiscent of Monk meets Tyner. On the song "Crisis," he punctuates his own brew of instrumental blues for just under a minute, then brings much of society together, singing “here we are… struggling and trying to make it through this crisis.” Are you feelin' it yet? Bey passed away April 26, 2025.

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