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301

Article: Album Review

Aaron Alexander: Midrash Mish Mosh

Read "Midrash Mish Mosh" reviewed by Dan McClenaghan


The klezmer base is there, unmistakeable, on drummer Aaron Alexander's Midrash Mish Mosh, but a bunch of other influences wail into the sound, too. For example, guitarist Brad Shepik lends a punk rock feeling to the opener, “Kleyzmish Moshpit." The title alone gives a big hint of what to expect. A mosh pit with Jewish leanings? ...

354

Article: Album Review

Various Artists: Irving Stone Memorial Concert

Read "Irving Stone Memorial Concert" reviewed by Sean Patrick Fitzell


Irving Stone's history as a voracious listener stretched back to checking out Monk and Coltrane at the Five Spot and hanging with Ornette. In his later years, he focused on the burgeoning downtown jazz scene, championing musicians taking risks and forging new sounds. Stone developed a reputation for big ears, and insiders knew they were at ...

395

Article: Album Review

Richard Crandell: Mbira Magic

Read "Mbira Magic" reviewed by Eyal Hareuveni


The mbira, or thumb piano, is the classic instrument of Zimbabwe. It consists of approximately 20 to 24 flattened metal prongs which are fastened at one end to a wooden resonator body and has a chiming, cyclical sound. Many jazz musicians have explored the possibilities of the mbira, from bassist William Parker to Israeli saxophonist Assif ...

333

Article: Album Review

Masada: Sanhedrin: Unreleased Studio Recordings 1994-1997

Read "Sanhedrin: Unreleased Studio Recordings 1994-1997" reviewed by John Kelman


When alto saxophonist/composer John Zorn brought trumpeter Dave Douglas, bassist Greg Cohen, and drummer Joey Baron together for a series of sessions dedicated to bringing the harmonic roots of traditional Jewish music into a new improvisational context, little did he know that his songbook, ultimately growing to include over two hundred compositions, would grow into what ...

248

Article: Album Review

Aaron Alexander: Midrash Mish Mosh

Read "Midrash Mish Mosh" reviewed by Jerry D'Souza


"Midrash" comes from the Hebrew word “darash," which means “to inquire." “Mis mosh mish" means “mixed-up" or “combination." That was easy; Aaron Alexander explains the terms in the liner notes. Definitions having been provided, this music, part of Tzadik's Radical Jewish Culture series, is indeed an exhilarating combination. To call it mixed-up would be denying it ...

213

Article: Album Review

Shirim: Pincus and the Pig

Read "Pincus and the Pig" reviewed by Elliott Simon


Complete with sticker sheet and illustrated story book, Pincus and the Pig is a joyfully Jewish take on every child's introduction to the symphony orchestra and its instruments. It also serves here as an apt family entrée to the wonderful catalogue of the Boston based klezmer ensemble Shirim. At the forefront of the musical evolution that ...

308

Article: Album Review

John Zorn: Masada Anniversary Edition, Vol. 4: Masada Recital

Read "Masada Anniversary Edition, Vol. 4: Masada Recital" reviewed by Jeff Stockton


I suppose that since John Zorn plays alto saxophone and improvisation has played a crucial part in his music over the years, by convention he could be described as a “jazz musician. But as a composer he has been anything but conventional, drawing on myriad influences that range from film scores and cartoon themes to Braxton ...

172

Article: Album Review

Wadada Leo Smith/Susie Ibarra/John Zorn: 50th Birthday Celebration Volume 8

Read "50th Birthday Celebration Volume 8" reviewed by Rex  Butters


More live recordings from the Month of Zorn, a run of concerts celebrating the iconoclastic altoist's 50th birthday, this one encoding two very different sets. The first series features duets with percussion dakini Susie Ibarra. Ibarra abandons the more measured performances of recent Tzadik CDs and returns to the firestorm approach from her days with the ...

387

Article: Album Review

John Zorn/Naked City: Complete Studio Recordings

Read "Complete Studio Recordings" reviewed by Mark Corroto


The year was 1990, the US and Iraq were posturing, and the American president was also named George Bush. George the 1st said, “This aggression will not stand --dividing the country between protestations of “no blood for oil and, well, conservative “freedom fighters. I don't know who drew the line in the sand. ...

166

Article: Album Review

Charming Hostess: Sarajevo Blues

Read "Sarajevo Blues" reviewed by Dan McClenaghan


Charming Hostess--Jewlia Eisenberg with Marika Hughes and Cynthia Taylor--sounds like a Phil Spector '60s girl group that decided to fire the famed producer, telling him on the way out the door, “So long, pal, we got some ideas of our own." Their ideas, on Sarajevo Blues, are in the socially concious/protest vein; they make their music ...


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