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Pete Robbins: siLENT Z Live
by Mark F. Turner
Since his 2002 debut, Centric (Telepathy Records), saxophonist Pete Robbins has charted a centrifugal trajectory, moving outward from traditional boundaries. His previous releases--Waits & Measures (Playscape, 2006) and Do The Laugh Hate Shimmy (Fresh Sound New Talent, 2008)--incorporated elements of jazz, rock and electronics with thought-provoking writing and improvisation. Incessantly stirring the creative juices in any ...
Pascal Niggenkemper Trio: Urban Creatures
by Nic Jones
The Pascal Niggenkemper Trio is one that covers a lot of ground, and they deserve praise for that. But the trouble is that a distinct musical identity only emerges infrequently despite the fact that all three players are clearly well versed in the territory they map out. Of the three of them drummer/pianist Tyshawn Sorey is ...
Kris Davis / Ingrid Laubrock / Tyshawn Sorey: Paradoxical Frog
by Chris May
There's so much music bursting out of saxophonist Ingrid Laubrock, and her cultural reference points are so diverse, that you never quite know, as you take a disc out of the sleeve for the first time, what she's going to be up to--aside from going further. The intriguing Paradoxical Frog contains more surprises. Among ...
John Escreet: Don't Fight The Inevitable
by Bruce Lindsay
British pianist John Escreet is a prodigiously talented young musician with a growing reputation as a player and composer. Don't Fight The Inevitable--his second solo album, following 2008's acclaimed Consequences (Posi-Tone Records)--finds Escreet in the company of top-flight New York players, creating some intense and complex music. The quintet is almost identical to ...
Steve Coleman and Five Elements: Harvesting Semblances and Affinities
by Troy Collins
As the founder of the M-Base movement, alto saxophonist Steve Coleman has been at the forefront of advances in jazz composition for 25 years. Culled from traditions with roots in the diverse music of the African Diaspora, M-Base's intricate fusion of syncopated rhythms and polyphonic harmonies has provided a vivacious, forward-thinking alternative to staid conventions for ...
John Escreet: Don't Fight the Inevitable
by John Kelman
Since moving to New York in 2006, pianist John Escreet has positioned himself as one of the scene's most significant up-and-comers. In addition to performances with artists including Chris Potter and Seamus Blake, he's a member The Story, which released its self-titled debut independently in 2009. Escreet also gigs with David Binney, appearing on Aliso (Criss ...
Samuel Blaser: Pieces of Old Sky & Vol à Voile
by David Adler
Samuel BlaserPieces of Old SkyClean Feed2009 Pierre Favre/Samuel BlaserVol à VoileIntakt2010 There's a wonderfully eerie quality to Pieces of Old Sky, trombonist Samuel Blaser's recording with guitarist Todd Neufeld, bassist ...
siLENT Z: siLENTZ
by Elliott Simon
Downstairs at the Cornelia Street Café in the Village is one of the more intimate places to see live jazz in the city. The program there is intentionally eclectic and siLENT Z Live, from altoist Pete Robbins, captures his angular group in those comfortable environs. All other things being equal, the make or ...
Samuel Blaser Quartet: Pieces of Old Sky
by Eyal Hareuveni
Swiss-born, Berlin-based trombonist Samuel Blaser is a musician to watch. He has a unique and personal vision, imaginative scope of articulation, and an ability to communicate and surprise with his sonic discoveries and ideas. This excellent new recording, his best so far, impresses more with every listening. The album was recorded in New York with three ...
Michele Rosewoman, Liberty Ellman, and Tyshawn Sorey Perform at Roulette, April 10
On Saturday, April 10, 2010 at Roulette in New York City, pianist, composer, and bandleader Michele Rosewoman and two of the most creative and multi-dimensional young artists of our time, Liberty Ellman and Tyshawn Sorey, collaboratively explore sound textures and nuances of time and space through their combined musical vision. For more information on Michele, visit ...
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