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158

Article: Album Review

Carter/Blumenkranz/Zubek: Chinatown

Read "Chinatown" reviewed by Ty Cumbie


This début recording by Chinatown, an unusual trio made up of downtown's wildly diverse music scene, finds the venerable free player Daniel Carter still doing his thing, this time with a young, unique rhythm section. Bassist Shanir Ezra Blumenkranz's playing is muscular and gutteral, and his bowing is turgidly pleasing. On this outing he also shows ...

175

Article: Album Review

Scorch Trio: Luggumt

Read "Luggumt" reviewed by Ty Cumbie


The opening notes of Luggumt have justifiably provoked comparisons with Jimi Hendrix. Guitarist Raoul Björkenheim gives an emphatic nod to the psychedelic rock god, then takes the electric guitar to places even he might never have reached had he lived as long. Luggumt , the second recording from this Finno-Norwegian trio, begins with ...

693

Article: Extended Analysis

Django Reinhardt 1933-1952

Read "Django Reinhardt 1933-1952" reviewed by Ty Cumbie


Django Reinhardt Django Reinhardt 1933-1952 BD Jazz 2004 On “Blues Clair," a terrific up-tempo piece I'd not heard before the welcome arrival of this 2-CD set, Django Reinhardt delivers one of the greatest solos you'll hear on any instrument, in any style of music. Right away we hear all the ...

187

Article: Multiple Reviews

Mat Maneri Times Two

Read "Mat Maneri Times Two" reviewed by Ty Cumbie


Cecil Taylor Algonquin Bridge 2004 Cecil Taylor started out with a bracingly original sound that had a tenuous but easily discernible connection to recognizable forms and gradually over the decades moved into total abstraction. Taylor is perhaps at the peak of his technique and his music can be both as ...

362

Article: Multiple Reviews

Kenny Werner: Naked in the Cosmos & Peace

Read "Kenny Werner: Naked in the Cosmos & Peace" reviewed by Ty Cumbie


Kenny Werner & The Brussels Jazz Orchestra Naked in the Cosmos Jazz n' Pulz 2003 If a single contemporary recording were recommended as cliff notes for an impatient student eager to get a feel for smooth jazz, atmospheric new age elevator music, the angular contortions of Sam Rivers' big band ...

249

Article: Album Review

Tim Berne: Hardcell Live

Read "Hardcell Live" reviewed by Ty Cumbie


Here are some jazz musicians who get it and get it all. That is meant in both senses: as in being hip to all the freshest angles in the current state of the music, and as in not messing around. Track one of Hardcell Live establishes this immediately. The complex, edgy theme is attacked with gusto ...

214

Article: Album Review

Anders Nilsson's Aorta: Blood

Read "Blood" reviewed by Ty Cumbie


Out of Sweden comes new jazz sounds from guitarist Anders Nilsson's group Aorta, a group that glances briefly back at the late '60s and '70s, then forges ahead, showing some possible directions for the music to go if it is to remain vital. Aorta probably won't be doing a week at the Vanguard any time soon, ...

1,106

Article: Interview

Checking in with Chick

Read "Checking in with Chick" reviewed by Ty Cumbie


Like his hero Thelonious Monk, Chick Corea's presence in jazz is impossible to avoid. Anyone who takes interest in Miles Davis' fusion groups of the '70s is aware that Corea played on Davis' monumental 1969 record Bitches Brew. Avant-garde-ists interested in Anthony Braxton will be familiar with the '70s group Circle, with Corea, Dave Holland and ...

187

Article: Album Review

Russ Lossing: As It Grows

Read "As It Grows" reviewed by Ty Cumbie


Spacious, articulate, and artfully composed, the material heard on Russ Lossing's As It Grows --apparently some of it improvised and some composed--is consistently musical and satisfyingly rangy. Although there's a persistent strain of finespun moodiness that isn't for seekers of the heavy groove, there's enough heart-stopping beauty on this disc to make you forget, momentarily, that ...

127

Article: Album Review

Maneri/Maneri/Phillips: Angles of Repose

Read "Angles of Repose" reviewed by Ty Cumbie


Angles of Repose is the brand new release of a 2-year-old recording made at Chapelle Sainte Philomène, an old chapel in the south of France. Mat and dad Joe Maneri brought the veteran bassist Barre Phillips into the fold for these very personal music-making sessions, and ECM saw fit to share the results with us. The ...


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