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Leon Foster Thomas: Brand New Mischief
by Dan Bilawsky
The sound of steel pans seems to surface at beaches and poolside bars more often than jazz clubs, but that doesn't mean that these sunny-sounding metal melody makers aren't welcome or cut out for the jazz life. Steel pan trailblazers, like Jaco Pastorius-associated Othello Molineaux and jazz-meets-world music giant Andy Narell, established a place for their ...
The Gaddabouts Return with Look Out Now! Sophomore Album Scheduled for September Release.
Pino Palladino, Steve Gadd, Edie Brickell, Andy Fairweather Low Insinuating grooves and stellar songwriting are the watchwords of Look Out Now!, the sophomore album from The Gaddabouts out now on racecarLOTTA Records. An all-star group featuring renowned singer-songwriter and musician Edie Brickell along with drumming great Steve Gadd, bassist Pino Palladino and guitarist Andy Fairweather Low, ...
Marc Copland in Love
by C. Michael Bailey
Pianist Marc Copland has previously released popular and well-received trio recordings in series, most recently New York Trio Recordings Vol. 1: Modinha (Pirouet, 2006), New York Trio Recordings Vol. 2: Voices (Pirouet, 2008) and New York Trio Recordings Vol. 3: Night Whispers (Pirouet, 2009). But he has an ensemble association with bassist Drew Gress and drummer ...
Drummer/Composer and Multi Grammy Nominee Bobby Sanabria Releases New CD "Multiverse" on Jazzheads Records - August 14th, 2012.
"...What sets the worlds in motion is the interplay of differences, their attractions and repulsions. Life is plurality, death is uniformity. By suppressing differences and peculiarities, by eliminating different civilizations and cultures, progress weakens life and favors death. The ideal of a single civilization, for everyone, implicit in the cult of progress and technique, impoverishes and ...
Dafnis Prieto Proverb Trio: Proverb Trio
by Dan Bilawsky
It has long been said that “there's nothing new under the sun," but this record counters that particular proverb's proclamation. Drummer/composer Dafnis Prieto has birthed an album unlike anything else in his own discography--or anywhere else, for that matter. The self-titled debut from Prieto's Proverb Trio is a triumphantly trippy album that's built ...
Kathy Kosins: To the Ladies of Cool
by C. Michael Bailey
Okay... first there came Kate McGarry's superb Girl Talk (Palmetto, 2012). Then Sara Gazarek followed her 2012 release with Triosence, Where Time Stands Still (Charleston Square) with Blossom &Bee (Palmetto, 2012). Now, vocalist Kathy Kosins follows up her excellent Mood Swings (Chiaroscuro, 2002) and inventive Vintage (Self Produced, 2005) with To the Ladies of Cool, a ...
Manuel Valera: New Cuban Express
by Dan Bilawsky
Pianist Manuel Valera has been liberally mixing and melding Cuban forms with modern jazz ideals since his first record--Forma Nueva (Mavo Music, 2004)--put him on the map, but his methods have changed and evolved. He expanded his aural framework by working a woodwind quintet into the musical fabric of Vientos (Anzic Records, 2007), which showed glimpses ...
Bill Carrothers: Family Life
by C. Michael Bailey
Pianist Bill Carrothers gets personal in Family Life. Entering the stream of Americana flowing straight down the middle of jazz, Carrothers produces his Kinderszenen (1838) after German composer Robert Schumann, or, at the very least, his Woodland Sketches (1896) after American composer Edward MacDowell. Family Life is is a carefully constructed set of musical miniatures capturing ...
Dan DeChellis Trio: My Age of Anxiety
by Karl Ackermann
If anything in jazz approaches the status of a commodity, it would be the piano trio. The inevitable comparisons run the gamut from Bill Evans and Keith Jarrett to Cecil Taylor and, more often than not, those benchmarks are either unattainable or unsustainable. A more accessible measure may be in the ability to differentiate one group's ...
The Impossible Gentlemen (Simcock, Walker, Swallow, and Nussbaum) Announce US Release of New Recording.
"the quartet, fulfilled all its promise - and then some. Walker's contribution to this ensemble was nothing short of sensational, through plenty of quiet, but compellingly lyrical music, as well as some post-bop gallops and a spectacular roaring blues. Simcock set the improv bar early on with a surging, McCoy Tyner-like solo on his own convoluted-bop ...
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