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Amina Claudine Myers: Solace of the Mind
by Troy Dostert
One of the under-heralded legends of the jazz avant-garde, keyboardist Amina Claudine Myers is finally getting her due. An early member of the Association for the Advancement of Creative Musicians (AACM) in the mid-1960s, her efforts were sometimes overshadowed by outsized colleagues such as Muhal Richard Abrams, Lester Bowie, or Henry Threadgill. But recent years have ...
José Gobbo Trio: Confluence
by Troy Dostert
Guitarist José Gobbo brought his background in Brazilian music and jazz to Iowa City in 2011, when he began a master's program at the University of Iowa. Since then, he has honed a compelling voice on his instrument, fusing the danceable rhythms of Brazilian folk forms with a more contemporary guitar sound. One of his central ...
Germana Stella La Sorsa and Tom Ollendorff: After Hours
by Troy Dostert
For an EP that clocks in at a mere 25 or so minutes, there is a lot to enjoy on After Hours, vocalist Germana Stella La Sorsa's duo album with guitarist Tom Ollendorff. La Sorsa has been making a name for herself since her earliest days as a singer in Italy, while her visibility in the ...
Kevin Miller and Jukka-Pekka Kervinen: Primordial
by Troy Dostert
For jazz musicians and listeners alike, the Covid years were challenging, significantly limiting possibilities for both studio recordings and live performances. One of the often-used solutions to this dilemma was virtual encounters--either in real-time or, on occasion, asynchronously, as musicians sent files to each other and layered their own contributions accordingly. Although no longer operating under ...
Dan Weiss Quartet: Unclassified Affections
by Troy Dostert
When he is not keeping company as a sideman with some of the most innovative musicians of 21st century creative jazz--a list which includes folks like pianist Matt Mitchell, saxophonist Jon Irabagon, guitarist Miles Okazaki and bassist Trevor Dunn--drummer Dan Weiss has steadily been building his own impressive set of recordings as a leader. Recently, he ...
Carol Liebowitz and Nick Lyons: The Inner Senses
by Troy Dostert
A freely improvised session for jazz traditionalists--at least, that is one way to characterize this enticing offering from pianist Carol Liebowitz and alto saxophonist Nick Lyons, the follow-up to their duo debut, First Set (Line Art, 2016). While there is a great deal of extemporaneity and surprise on hand, the two seasoned veterans also delight in ...
Scandinavian Art Ensemble with Tomasz Stańko: The Copenhagen Session Vol. 1
by Troy Dostert
Although trumpet legend Tomasz Stańko sadly left us in 2018, there are fortunately plenty of signs that his recorded legacy is still unfolding. In 2024 his sparkling release, September Night (ECM), documenting a live engagement from 2004, reminded us of the distinctive emotional vibrancy of this most sensitive of modern trumpeters. And now we have the ...
The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill
by Troy Dostert
One of the most multifaceted saxophonists to come out of the 1970s-80s jazz avant-garde, Julius Hemphill exuded both fervid power and delicate sensitivity, always with an underpinning of swing to help anchor him within the jazz tradition. While his iconic releases like Dogon A.D. (Mbari, 1972) and Flat-Out Jump Suite (Black Saint, 1980) are rightly considered ...
Kaisa's Machine: Moving Parts
by Troy Dostert
On the third release with her trusted ensemble, Kaisa's Machine, rising star Kaisa Mäensivu displays a mature compositional voice, creating seven beguiling tracks that make excellent use of her superb colleagues. The Finnish bassist has for some years split her time between Helsinki and New York City, and the album's concept is loosely centered on the ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...
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