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Steve Lehman Trio and Mark Turner: The Music of Anthony Braxton
by Troy Dostert
Anthony Braxton has long had a reputation as being one of the most abstruse and forbidding musicians of the jazz avant-garde. Whether it is his impossibly esoteric notation systems, or the bizarre instrumentation he sometimes features on his recordings--his Composition No. 19 (For 100 Tubas) being just one example--one must tread carefully when engaging this unique ...
Sylvie Courvoisier and Mary Halvorson: Bone Bells
by Troy Dostert
Given that Sylvie Courvoisier and Mary Halvorson are two of the most distinctive instrumentalists in the world of jazz and improvised music, it is a particular treat to hear them together in a duo configuration, where the intimacy of the setting allows for a fuller appreciation of their virtuosity and empathetic sensibilities than is sometimes possible ...
Art Baden: How Much of It Is Real
by Troy Dostert
Continuing its well-established mission of documenting some of the noteworthy Russian musicians in today's jazz, the Rainy Days label offers another up-and-comer, tenor saxophonist Art Baden. Joined by three seasoned veterans, Baden provides both fire and sensitivity on his debut disc, How Much of It Is Real--and it is a promising effort all-around. Bassist ...
Dennis Mitcheltree and Johannes Wallmann: Holding Space
by Troy Dostert
Tenor saxophonist Dennis Mitcheltree and pianist Johannes Wallmann team up for a full program of enticing music on Holding Space. Encompassing a range of idioms and compositional parameters, the duo charts a lot of territory on the album's eighteen cuts, and it is terrain well worth exploring. Mitcheltree has been recording since the 1990s, ...
Zacc Harris: Chasing Shadows
by Troy Dostert
Long a fixture in the Minneapolis jazz scene, guitarist Zacc Harris has been at the nexus of a strong group of musicians, many of which are featured on Chasing Shadows, Harris' follow-up to 2021's well-received Small Wonders (Shifting Paradigm Records). Utilizing a quintet format as a vehicle for Harris' fervent melodicism, the results are a highly ...
Jason Palmer: The Cross Over: Live in Brooklyn
by Troy Dostert
For a label that just got its start in 2018, it has quickly become evident that Giant Step Arts brings a potent, focused discipline to its documentation of some of the most distinctive jazz talents of our time. Rather than covering the field with as many different musicians as possible, the label's founder, Jimmy Katz, has ...
The Attic & Eve Risser: La Grande Crue
by Troy Dostert
While it is always challenging to keep up with the prolific output of saxophonist Rodrigo Amado, one consistently sure bet is his Attic trio, which has been a working ensemble since at least 2017, with a series of stellar recordings that have helped stake Amado's claim as one of the premier free improvisers of his generation. ...
Alawari: Leviathan
by Troy Dostert
Although Denmark's Alawari has been a known quantity in Europe since its founding in 2016, the group has yet to achieve the visibility it deserves elsewhere--but maybe that will change with Leviathan, the band's sophomore release. Filled with dense arrangements belying the sextet's diminutive size, emotionally resonant themes and fine musicianship, Alawari has crafted a gem ...
Troy Dostert's Best Jazz Albums Of 2024
by Troy Dostert
Another year of first-rate creative jazz is in the books, along with another impossible set of choices in assembling a top-10 list. These are some of the standouts, in a year in which trios and quartets were especially prominent, taking advantage of the unparalleled opportunities for close collaboration that smaller ensembles provide. My favorites are listed ...
Steve Coleman and Five Elements: PolyTropos / Of Many Turns
by Troy Dostert
Perpetually churning rhythms, telepathic detours, unexpected juxtapositions: these are the stock-in-trade of Steve Coleman's Five Elements. And once again the intrepid alto saxophonist's inimitable approach surfaces on PolyTropos / Of Many Turns, a generous, two-disc helping of music that manages to be both intricately complex and fundamentally accessible at the same time. With two live dates ...
