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24

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by Karl Ackermann


Despite a career that spanned more than half of a century, Frank Wess was not a household name. The flautist/saxophonist spent the 1950s and 60s playing with some of the best known big bands in the U.S. including those of Billy Eckstine, Count Basie and Clark Terry. During that period he was primarily recognized as a ...

7

Article: Take Five With...

Take Five With Laurie Antonioli

Read "Take Five With Laurie Antonioli" reviewed by AAJ Staff


Meet Laurie Antonioli: Whether interpreting American songbook standards, reinventing traditional American songs, or introducing contemporary melodies made vivid with her original lyrics, Antonioli brings her inclusive musical intelligence to bear on every tune. The result is a gorgeous tapestry woven from the raw materials of jazz, folk, country music, Balkan melodies and harmonies, and a ...

11

Article: Interview

Ted Nash: The Goal Is Creativity

Read "Ted Nash: The Goal Is Creativity" reviewed by R.J. DeLuke


A New York City morning often starts early, sometimes 6 a.m., for this musician who is trying to elongate the hours available in a day. There's a lot to get to. Practicing the saxophone or flute. Sitting down to go through the elusive and demanding task of writing music worthy of the plateau, which these days ...

4

Article: Live Review

MONK'estra at SFJAZZ Center

Read "MONK'estra at SFJAZZ Center" reviewed by Harry S. Pariser


MONK'estraSFJAZZ CenterSan Francisco, CAAugust 22, 2013The music of the legendary Thelonious Monk (October 10, 1917-February 17, 1982) has rarely been heard in a big band setting. The second most-recorded jazz composer after Duke Ellington, Monk's music is nothing if not popular. While Ellington composed over a thousand songs, Monk penned only ...

15

Article: Interview

Jim Snidero: A Tale Of Taste

Read "Jim Snidero: A Tale Of Taste" reviewed by Dan Bilawsky


What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...

11

Article: Big Band Report

In Tune or Not in Tune... That Is the Question

Read "In Tune or Not in Tune... That Is the Question" reviewed by Jack Bowers


Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...

10

Article: Interview

Conrad Herwig: There's Nothing Else

Read "Conrad Herwig:  There's Nothing Else" reviewed by Bob Kenselaar


Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...

8

Article: Live Review

On The Road With The Asian Jazz All-Stars Power Quartet

Read "On The Road With The Asian Jazz All-Stars Power Quartet" reviewed by Ian Patterson


Though it was only a 12-hour flight from Singapore to London, for Singaporean organist/pianist Jeremy Monteiro, Philippine tenor saxophonist Tots Tolentino, Hong Kong guitarist Eugene Pao and Thai drummer Chanutr Techatana-nan--who together make up the Asian Jazz All-Stars Power Quartet--the journey has, in some ways, been a much longer one; you could say it's a journey ...

2

Article: From Far and Wide

Record-Busting 100+ Bassists Serenade Tivoli

Read "Record-Busting 100+ Bassists Serenade Tivoli" reviewed by Fradley Garner


Record-Busting 100+ Bassists Serenade TivoliThe seeds were planted by Oscar Pettiford, the seminal American cellist and bassist who put down roots in Copenhagen in 1958, and by the homegrown virtuoso Niels-Henning Ørsted Pedersen, who played his vintage Italian bass like the nimblest-fingered guitarist when he wasn't bowing like Giovanni Bottesini. In August, 2012, the ...

60

Video

Strive for Jive

Featuring the music of Toshiko Akiyoshi
Duration: 9:07

Live in France 1996 - piano: Toshiko Akiyoshi, trumpets: Mike Ponella, John Eckert, Andrew J. Gravish, Joe Magnarelli trombones: Pat Hallaren, Joe Helleny, Scott Whitfield, Tim Newman saxes, fltes, clar.: Lew Tabackin, Dave Pietro, Jim Snidero, Tom Christensen, Scott Robinson bass: Doug Weiss; drums: Terry Clarke

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