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Howard Riley: Solo In Vilnius
by John Sharpe
No stranger to being alone in the spotlight, Solo In Vilnius is at least the 11th such entry in English pianist Howard Riley's extensive discography. Musically active for more than 40 years, Riley, now in his 60s, enjoys an impressive résumé which name checks the cream of British improvisers, including London Jazz Composers Orchestra, Keith Tippett ...
Bill Dixon: Excerpts from Vade Mecum
by AAJ Staff
Introduction by AAJ Contributor Clifford Allen. It is rare in the climate of this music to be presented with a view of an artist that is truly multifaceted, even though the collected works of most artists operate at a number of levels and, on occasion, in a number of media. Bill Dixon is probably best known ...
John Geggie / Marilyn Crispell / Nick Fraser: Geggie Project
by John Kelman
Released a few months prior to Across the Sky (Plunge, 2009) and, despite the two releases really representing one multifaceted debut, Geggie Project is the official first release as a leader from John Geggie, a bassist deserving far greater recognition. Geggie Project finds the Ottawa, Canada-based bassist, Toronto-based drummer Nick Fraser, and inestimable free improvising pianist ...
Ulrich Gumpert / Gunter Baby Sommer: Das Donnernde Leben
by Mark Corroto
Collaborations between pianists and drummers often evolve around a unique chemistry creating interesting works of art. Such is the case with Misha Mengelberg and Han Bennink, Matthew Ship and Guillermo E. Brown, and Louis Moholo-Moholo and Marilyn Crispell. There's also Cecil Taylor and Tony Oxley, Paul Lovens, Jackson Krall or Max Roach). Add pianist Ulrich Gumpert ...
Tomasz Stanko Quintet: Dark Eyes
by David McLean
Tomasz Stanko Quintet Dark Eyes ECM Records 2009 It has been a regular event at the ECM label for artists to change line-ups after three albums. After a trio of releases with the prodigiously talented pianist Marcin Wasilewski--(Soul of Things (ECM, 2002), Suspended Night (ECM, 2003) and Lontano ...
Incus Records
by Kurt Gottschalk
Record labels are, in essence, an outlet, a means for production. They are not the paint or the painter but merely the paint factory. They aren't the music, just the medium of delivery. But the good ones are more than that. They engender emotional attachment. They come to represent their times. The orange and ...
Bill Dixon: In Medias Res
by Clifford Allen
Trumpeter and composer Bill Dixon is one of those rare figures in creative music who was both there as it took its initial steps and currently remains at the forefront of contemporary improvisation. In the last two years, he has directed or co-led orchestral configurations and recorded and performed with hand-picked small groups of international renown. ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
Anthony Braxton: Seven Compositions (Trio) 1989
by Glenn Astarita
Multi-reed artist and modern visionary, Anthony Braxton's output for the Swiss record label symbolizes his influential methodologies while residing as some of his finest work ever. This reissue of the 1990 Hat Hut Records release is a tour de force featuring British free-jazz drummer Tony Oxley's distinct mode of attack and Austrian bassist Adelhard Roidinger. The ...
Barry Guy: Ode to a Bassist
by Andrey Henkin
In 2007, just in time for bassist Barry Guy's 60th birthday, Intakt Records released Portrait, equal parts compilation, introduction, overview and mere glimpse into the musical world of this instrumentalist, composer and bandleader. There are tracks from several editions of Guy's colossal London Jazz Composers Orchestra (LJCO), pieces done with longstanding collaborators like Evan Parker and ...
