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226

Article: Album Review

Paul Motian Trio 2000 + 1: On Broadway, Vol. 4: Or The Paradox of Continuity

Read "On Broadway, Vol. 4: Or The Paradox of Continuity" reviewed by Tom Greenland


Remember the Push-Me-Pull-You, the two-headed llama from Dr. Dolittle? Like Hugh Lofting's imaginary beast, the latest effort from Paul Motian (cum Trio 2000 + One) seems to be heading in several directions at once. Like the previous three recordings in the On Broadway series, it features “standards from the Great White Way in a relatively understated ...

354

Article: Album Review

Joe Lovano: Streams of Expression

Read "Streams of Expression" reviewed by Tom Greenland


Joe Lovano never fails to create an impression. Streams of Expression, his eighteenth release for Blue Note, is a suite-within-a-suite that honors and signifies upon a considerable amount of jazz history--cool, modal, avant, bop--with authority and individuality. The centerpiece of the album is the “Birth of the Cool Suite," a tribute to the chamber jazz outings ...

279

Article: Album Review

Uri Caine / Bedrock: Shelf-Life

Read "Shelf-Life" reviewed by Tom Greenland


Shelf-Life, Uri Caine's seventeenth release as a leader (his thirteenth for Winter & Winter) is a continuation of the pianist/composer's earlier collaborations with drummer Zach Danziger and bassist Tim Lefebvre, particularly 2002's Bedrock. A departure from his highly individualistic reworkings of classical composers such as Mahler, Wagner, Schumann, Bach, and Beethoven, this disc recalls the Philly ...

113

Article: Album Review

Pete McCann: Most Folks

Read "Most Folks" reviewed by Tom Greenland


Along with a prestigious career as a flexibly eclectic sideman, guitarist Pete McCann has released his third effort as a leader, Most Folks, an impressive outing showcasing his considerable chops and tuneful craftsmanship, backed by Mark Ferber (drums), John Herbert (bass), Mike Holober (piano) and John O'Gallagher (alto and tenor saxophones). The recording boasts compelling original ...

282

Article: Album Review

Donny McCaslin: Give & Go

Read "Give & Go" reviewed by Tom Greenland


Proust, Faulkner and Joyce: all wrote in protracted sentences that challenge the reader's mettle. Donny McCaslin is one such improviser, creating melodic lines that seem to stretch out and out and out, yet, through rigorous internal logic, never lose the thread of the narrative nor rankle the listener with overblown verbosity. Give and ...

188

Article: Album Review

Shot x Shot: Shot x Shot

Read "Shot x Shot" reviewed by Tom Greenland


Shot x Shot is a group of four young musicians from Philadelphia--Bryan Roger (tenor sax), Dan Capecchi (drums), Dan Scofield (alto sax) and Matt Engle (bass)--who play with a free-roaming, exploratory spirit coupled to a precociously mature sense of pacing and restraint. Recorded in St. Mary's Church, this self-titled disc emits an ethereal ambiance, from the ...

236

Article: Multiple Reviews

Ras Moshe: Live Spirits, Vols. 3 & 4

Read "Ras Moshe: Live Spirits, Vols. 3 & 4" reviewed by Tom Greenland


Ras Moshe Live Spirits Vol. 3 Utech Records 2006 Ras Moshe Live Spirits Vol. 4 Utech Records 2006 Ras Moshe is a well known denizen of NYC's ...

284

Article: Multiple Reviews

Ned Rothenberg: El Nino and The Fell Clutch

Read "Ned Rothenberg: El Nino and The Fell Clutch" reviewed by Tom Greenland


Ned Rothenberg, Matthias Ziegler, Peter Schmid El Nino Creative Works 2006 Ned Rothenberg, Tony Buck, Stomu Takeishi, Dave Tronzo The Fell Clutch Animul 2006 “Unvorherhorbar," Meinrad Buholzer ...

393

Article: Multiple Reviews

Matana Roberts: Lines For Lacy and The Calling

Read "Matana Roberts: Lines For Lacy and The Calling" reviewed by Tom Greenland


Matana Roberts Lines for Lacy Self-Published 2006 Matana Roberts The Calling Utech 2006 The sound of Matana Roberts' alto sax spans jazz her-story, from its roots in ...

181

Article: Album Review

John Tchicai Trio: Good Night Songs

Read "Good Night Songs" reviewed by Tom Greenland


The cryptic ideographs on the cover are suggestive: Good Night Song is like a Japanese haiku or Zen painting that--through economy of means, suggestion, emptiness and space--says more with less. Sans drums and bass, the trio features the leader on tenor, bass clarinet, and vocals; Charlie Kohlhase on tenor, alto, and baritone saxophones; and Garrison Fewell ...


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