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Gutbucket: Cascades and Collisions
by Gordon Marshall
Over its 12-year career, Gutbucket has resituated its various musical parts like the pieces of a Rubik's cube. The elements of that cube, the sonic strains, have remained similar--an amalgam of fuzz rock, jumpy jazz, post-serial classicism--but its panoply of shifting color has been redeployed in unique ways on each of the Brooklyn-based quartet's five CDs, ...
Take Five With Edward Simon
by AAJ Staff
Meet Edward Simon: The process by which Simon became an internationally regarded jazz musician began in the small coastal town of Cardon, Venezuela, where he grew up surrounded by the sounds of Latin and Caribbean music. Born in 1969, Simon credits his father, Hadsy, for developing his passion for music and supporting him and ...
Simin Tander: Wagma
by C. Michael Bailey
Simin Tander is a polyglot German-Afghan singer who combines the fierce creativity of Meredith Monk with the jazz savvy of Gretchen Parlato. She has surrounded herself with a like-minded trio that is willing to forge in whatever direction she desires, with music and singing full of wordless howls, purrs, and calls. This is multicultural music with ...
Clifford Lamb: One
by Larry Taylor
It's a pleasure to discover a jazz performer. whose style is unique. Pianist Clifford Lamb is in this category as he displays in One. Hailing from Oakland, California, he has put together San Francisco Bay area musicians, Darrell Green on drums and Ron Belcher, bass, who help considerably to bring out his individualistic touch. ...
Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's “Big Band Olympics," which ...
Take Five With Tim Kuhl
by AAJ Staff
Meet Tim Kuhl: Drummer / Composer Tim Kuhl was born in June 1982 and raised in Baltimore, Maryland. Kuhl relocated to New York City in 2003 and has been working as a band leader and sideman in the NYC area. Kuhl is celebrating the release of this third album as a leader called, Doomsayer. ...
Art Pepper: Blues For The Fisherman
by Greg Simmons
What jumps out of Art Pepper's Blues for the Fisherman is his alto saxophone's boldness and overt expressiveness. If prior exposure has only scratched the surface of Pepper's work--perhaps with the ubiquitous Art Pepper Meets the Rhythm Section (Contemporary, 1957)--this live recording fairly smashes expectations of a polite, cool performance. Recorded in two nights at Ronnie ...
Eric Hofbauer and The Infrared Band: Level
by Nic Jones
Back in 2008 this band--the only change here being bassist Sean Farias in for Michael Montgomery--produced one of the best albums of that year. In 2011, they've gone and done it again. Like Thelonious Monk, Herbie Nichols and Andrew Hill, guitarist Eric Hofbauer's music benefits enormously from having the right musicians to bring ...
Ed Reed: Born to Be Blue
by C. Michael Bailey
Ed Reed joins fellow West Coasters Art Pepper and Frank Morgan in returning to a critically acclaimed career previously derailed by substance abuse. After 40 years of scuffling, Reed cleaned up, became a chemical dependency treatment professional and began recording in earnest. Reed has released two recordings, Love Stories (Self Produced, 2007) and The Song is ...
Bill Carrothers Trio: A Night at the Village Vanguard
by Warren Allen
Bill Carrothers Trio A Night At The Village Vanguard Pirouet Records 2011 Pianist Bill Carrothers could not have picked a better venue to cut a trio recording in. Whether it's the inimitable acoustics of the Village Vanguard, or simply the sheer number of essential records cut there over the decades ...
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