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Gary Clark, Jr.: JPEG RAW
by Doug Collette
In contrast to Gary Clark Jr.'s thunderous stage performances, the keen impact of which permeate Live (Warner Bros., 2014) and Live in North America 2016 (Warner Bros., 2017), his studio albums, including JPEG RAW, are ambitious eclectic pieces of work the force of which grow inexorably with repeated listening. Its title an acronym for ...
Brilliant Corners 2024
by Ian Patterson
Brilliant Corners 2024 Black Box/Accidental Theatre Belfast, N. Ireland March 1-9, 2024 At a time when veteran rock acts on their last legs are asking cash-strapped punters to part with hundreds of pounds to stand in a stadium to hear the same hits as the last tour, and the tour ...
Ism: Maua
by John Sharpe
What would a free jazz group sound like if it stayed within conventional rhythmic and melodic parameters? One possible answer was given by pianist Lennie Tristano's pioneering sides such as “Intuition" and “Digression," extemporized by a sextet including Lee Konitz and Warne Marsh. Ism, the cosmopolitan threesome of British pianist Pat Thomas, Swedish bassist Joel Grip ...
Charles Lloyd: Defiant Warrior Still On Song
by Chris May
As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...
Bobby Wellins Quartet: What Was Happening
by Chris May
In 1965 tenor saxophonist Bobby Wellins made an indelible mark on jazz history with his contribution to pianist Stan Tracey's Jazz Suite Inspired By Dylan Thomas's Under Milk Wood (Columbia). The exquisite “Starless And Bible Black" is the most frequently cited track (check the YouTube below) and is indicative of the album's overall beauty. For a ...
Kim Parker: Reminiscing in Jazz
by Nicholas F. Mondello
Kim Parker is a marvelously talented jazz vocalist and the step-daughter of both Charlie Parker and Phil Woods. A sensitive, tasteful, and endearing jazz voice, Kim has recorded numerous albums as leader and others as an accompanying artist. She has a marvelously rich history in jazz both as a result of her famous families, as well ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
Margherita Fava: Tatatu
by Neri Pollastri
Ventottenne veneta di formazione classica, la pianista Margherita Fava è stata fulminata dal jazz nel 2013, quasi per caso, e da allora ha coltivato la sua formazione in quella direzione, trasferendosi negli U.S.A. prima con una borsa di studio, poi stabilmente, insegnando. Ed è negli Stati Uniti, nell'Ohio, che ha registrato questo suo primo disco, prodotto ...
Sahib Shihab and the Danish Radio Jazz Group
by Joshua Weiner
Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, ...
John Esposito: Blues For Outlaw Hearts
by Dan McClenaghan
Pianist John Esposito, the head honcho at Sunjump Records, has made part of his life's mission to feature underappreciated musicians. Guitarist Sangeeta Michael Berardi, who passed in 2024, was one of them. Berardi owed a big debt to saxophonist John Coltrane. This can be heard--leaving no doubt--on his Sunjump outing Earthship, released in 2008. In the ...
