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Anne Vanschothorst

Born:
“Many of the miniatures remind me of Erik Satie — not that her music is in his style, but that both composers so thoroughly explore an artfully restricted sonic universe — in which chords and single melodic lines appear in alternation and at a pace slow enough to experience them almost as if they were sounding sculptures.” – American Record Guide
Anne Vanschothorst (The Netherlands) is a landscape music composer, minimal harp pioneer, and multimedia artist exploring creativity in applied music, film, and spoken word — using overdub and making sound sculptures with 47 strings. She received international critical acclaim as an indie composer and producer who records sound on sound stilled mystical landscape music for in-a-room, film, multimedia, and spoken word. This new poetic and inventive, edgy sonic universe next to the existing harp planet and music world, indicates that Vanschothorst walks off the beaten track. The written note-scores are frequently performed by international musicians and added to their repertoire. The “You Play I listen!” platform is an ongoing creativity project that was initiated to share Harp and Soul Music performed by others via videos and sound-clouds.
That I Did Always Love, an ode to Emily Dickinson, for harp in a soundscape

Label: Big Round Records
Released: 2023
Track listing: 01 A harp note to Emily Dickinson
02 Nobody knows this little Rose
03 The Soul selects her own Society
04 Where have all the birds gone?
05 There’s a certain Slant of Light
06 The murmur of a Bee
07 Higher she flies without feet!
08 I hav’nt told my garden yet
09 That I did always love
10 Trees of mercy
11 If I shouldn’t be alive