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The 2021 Detroit Jazz Festival: A World Community, Day 3

by Paul Rauch
Day 1 | Day 2 | Day 3 | Day 4 This is the third of four pieces covering the 2021 Detroit International Jazz Festival. Two weeks before the festival, a decision was made to go to a virtual format due to the surge provided by the Delta variant of Covid-19. Three outdoor stages ...
Jane Monheit: Come What May

by Richard J Salvucci
Some reviews should be easy, particularly when the artist is established, celebrated, and universally esteemed. Almost anyone interested in contemporary jazz and pop singing knows Jane Monheit. Quoting SFJAZZ directly, In 1998, Monheit was a finalist at the Thelonious Monk Institute of Jazz International Vocals Competition, taking second to the late Teri Thornton. She recorded twelve ...
Terence Blanchard featuring The E-Collective: Absence

by Chris May
Trumpeter Terence Blanchard and the E-Collective's Absence is dedicated to saxophonist and composer Wayne Shorter, who for health reasons has been obliged to retire from performing, at least temporarily. Some people celebrating their 88th birthday, as Shorter did on August 25 2021, might not welcome being the dedicatee of an album with such a title. They ...
Terence Blanchard, John Ellis, Ben Goldberg, Becca Stevens & Other New Releases

by Ludovico Granvassu
Two beautiful and diverse renditions of Nefertiti-era Wayne Shorter, two exciting new albums featuring John Ellis, yet another surprise from Becca Stevens and much more in the second part of this week's edition focusing on recent and upcoming releases.Happy listening!PlaylistBen Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 John ...
A Different Drummer, Part 5: Terri Lyne Carrington

by Karl Ackermann
In her 2003 Carnegie Mellon University paper Experience West African Drumming: A Study of West African Dance-Drumming and Women Drummers, Leslie Marie Mullins explains that drumming was explicitly the territory of male musicians in West Africa. Mullins reveals that several myths were employed to keep women and drums far apart. Among them, Ghanaian women were thought ...
Jared Hall: Seen on the Scene

by Paul Rauch
In many ways the title Seen on the Scene encapsulates trumpeter Jared Hall's story leading up to the studio session in 2018 which resulted in this, his sophomore release. The native of Spokane, Washington, arrived in Seattle in 2015 after completing studies with mercurial trumpet ace Brian Lynch and, almost immediately, scored a residency at Tula's, ...
The Latest From Clean Feed Records

by Mark Corroto
2021 marks the twentieth year of Lisbon's Clean Feed Records. Listeners went from thinking who knew there was jazz in Portugal?" to acknowledging the label as the flag bearer of jazz' vanguard. Besides releasing music by Evan Parker, Mats Gustafsson, Steve Lehman, Julius Hemphill, Charles Gayle, Anthony Braxton, Elliott Sharp, Eric Revis, Harris Eisenstadt, and Kris ...
Top Ten Kennedy Center Musical Moments

by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb: I hate jazz." If you choose to engage them, the key is to tread lightly and tailor an approach that considers their tastes and sensibilities. This So You Don't Like Jazz column explores ways ...
Roman Miroshnichenko And Mario Parmisano Celebrated Astor Piazzolla’s 100th Anniversary And Honored Chick Corea With Grandiose Shows In Russia

The 24th international World Of Guitar music festival took place on May 24-28, 2021 in Kaluga, Russia. This year, during the main portion of the festival, on May 26th took place joint concert of guitar virtuoso Roman Miroshnichenko and his band with outstanding tango nuevo interpreter—Argentinian pianist Mario Parmisano, featuring the 50-piece Moscow City Symphony. It ...
Rodney Whitaker: Outrospection: The Music of Gregg Hill

by Paul Rauch
Bassist Rodney Whitaker grew out of the Detroit jazz tradition, paying dues along the way on the road with the likes of Terence Blanchard, Roy Hargrove, Wynton Marsalis and Kenny Garrett. His hard-driving style personifies modern post-bop jazz, with his dedication to tradition acting as a catalyst rather than a deterrent from innovation. On ...