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Article: Album Review

Deborah Shulman / Larry Zalkind: Lost In The Stars: The Music Of Bernstein, Weill & Sondheim

Read "Lost In The Stars: The Music Of Bernstein, Weill & Sondheim" reviewed by Dan Bilawsky


The respective output from compositional icons Leonard Bernstein, Kurt Weill and, to a lesser extent, Stephen Sondheim has frequently been putty in jazz musicians' and arrangers' hands, proving that malleability is a sine qua non for long-range success in writing; genius-level composing skills, of course, also tend to help. While the actual act ...

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Article: Live Review

Cheryl Bentyne & City of Hope All-Star Jazz Benefit: Hollywood, CA, August 11, 2012

Read "Cheryl Bentyne & City of Hope All-Star Jazz Benefit: Hollywood, CA, August 11, 2012" reviewed by Carl L. Hager


Cheryl Bentyne & City of Hope All-Star Jazz BenefitCatalina Jazz ClubHollywood, CAAugust 11, 2012After kicking off Saturday night's festivities with a hard-charging version of Cole Porter's “It's Alright With Me," a beaming Cheryl Bentyne welcomed Catalina Jazz Club's capacity audience by effusing over the wide array of talent that had assembled ...

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Article: Bailey's Bundles

Fine & Mellow - Three Voices and Deborah Shulman/Larry Zalkind

Read "Fine & Mellow - Three Voices and Deborah Shulman/Larry Zalkind" reviewed by C. Michael Bailey


Summit Records hits a quiet home run with the release of Three Voices' Transitions and Deborah Shulman & Larry Zalkind's Lost in the Stars: The Music of Bernstein, Weill & Sondheim. Three VoicesTransitionsSummit Records2012 Three Voices is the trio of flugelhornist Kim Pensyl, vibraphonist ...

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Article: Album Review

Cheryl Bentyne: The Gershwin Songbook

Read "The Gershwin Songbook" reviewed by Larry Taylor


Cheryl Bentyne's The Gershwin Songbook is among the best vocal albums of 2010. A member of The Manhattan Transfer since 1979, she frequently strikes out on her own to record, and has released eight albums in the past two decades. Perfecting her talent in vocalese with Manhattan Transfer, Bentyne performs jazz choruses with a ...

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Article: Take Five With...

Take Five With Bradford Rogers

Read "Take Five With Bradford Rogers" reviewed by AAJ Staff


Meet Bradford Rogers: Atlanta native Bradford Rogers is a producer, engineer, singer, songwriter, and multi-instrumentalist. As a member of the house band for the Recording Academy's Atlanta Chapter Awards Series, Bradford has performed with such multiplatinum artists as Michael McDonald, James Brown, Bobby Valentino, En Vogue's Dawn Robinson, Sleepy Brown and Cee-Lo.Instrument(s):Flute, ...

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Song of the Day

Midnight on the Beach

Album:
By
Label: Summit Records
Released: 0
Duration: 6:01

Album

Elton Exposed

Label: Summit Records
Released: 2005
Track listing: Philadelphia Freedom; Benny and the Jets; All the Girls Love Alice; Border Song; Blue Eyes; Circle of Life; Carla Etude; Ego; Sorry Seems to be the Hardest Word; Your Song.

Album

Ellington

Label: Summit Records
Released: 2005
Track listing: Things Ain't What They Used To Be; Caravan; Do Nothing Till You Hear From Me; Prelude to a Kiss; Sophisticated Lady; In A Sentimental Mood; It Don't Mean a Thing if It Ain't Got That Swing; In My Solitude; Mood Indigo; Take the 'A' Train.

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Article: Album Review

Ted Howe: Elton Exposed

Read "Elton Exposed" reviewed by Jim Santella


Ted Howe's tribute album, subtitled Revealing the Jazz Soul of Elton John, takes a mellow piano excursion through territory that few jazz artists find the time to consider. Howe's piano trio transforms each pop song into a straight-ahead jazz medium filled with the swing and sway of Elton's gentle emotions. In Howe's hands, pop music swings ...

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Article: Album Review

Ted Howe: Ellington

Read "Ellington" reviewed by Glenn Astarita


The purpose of this recording was for pianist Ted Howe's “(Duke) Ellington Show to be choreographed for an Atlanta, Georgia-based dance troupe. Thankfully, Howe and his trio recorded a portion of the Duke's songbook for mass consumption, while exuding a cheery and indubitably upbeat vibe along the way. Fused with snappy rhythms, Latin slants, and brisk ...


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