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Chris Standring: Don't Talk, Dance!
by Jeff Winbush
If jazz is to avoid being relegated to the pit of obsolescence where VCR's, pet rocks and NBC's fall lineup for the last five years has been consigned to it won't be enough to simply continue catering to the true believers and faithful die-hards that currently maintains the genre. Jazz will have to go places it ...
Franklin Kiermyer: Further
by Dave Wayne
The great dilemma facing a music reviewer is how to discuss an artist's work intelligently within an historical continuum without getting too hung up on musical influences and reference points. Such is the case with drummer / composer Franklin Kiermyer whose music, while totally original, is redolent with the intensity and seeking spirituality of the John ...
Mattias Ståhl Trio: Jag Skulle Bara Gå Ut
by Mark Corroto
The rebirth of the vibraphone as a tool for creative music making has been a long time coming. Like the clarinet, it had to lose its nerdishness to gain acceptance. Artists like Jason Adasiewicz, Matt Moran and the Swedish-born Matthais Ståhl are making the vibes as relevant today as the mid-sixties and 1970s work of Khan ...
Celebrating Ornette Coleman at the Painted Bride Art Center
by Victor L. Schermer
Denardo Coleman Group and Jamaaladeen Tacuma Band The Painted Bride Art Center Philadelphia, PA March 21, 2014 This concert was the second in a series curated by saxophonist, band leader, and composer/arranger Bobby Zankel entitled “Still the New Thing" honoring three icons of avant- garde jazz: Cecil Taylor, Ornette Coleman, ...
John Edwards Double Bass Man
by Sammy Stein
When John Edwards plays his double bass, he is extraordinarily engaging. He plucks, tweaks, bows, hits and hums aloud. So engrossed is he that it is difficult to look away. One memorable gig, I overheard a member of the audience say “ It's almost pornographic what he does with that bass." I ...
Eric Revis: In Memory Of Things Yet Seen
by Henning Bolte
Bassist Eric Revis is a heavyweight in more than one respect. He is doing the improbable in a remarkable way, thereby ignoring collectively imposed and maintained demarcations at work. Armed with his physically very present, raw and vibrant bass sound he beats his track into the realms of freely improvised music. He made his debut as ...
Francisco Mora Catlett Afro Horn: Rare Metal
by Alberto Bazzurro
Nato a Washington ma cresciuto a Città del Messico in quanto figlio del pittore messicano Francisco Mora e della scultrice afroamericana Elizabeth Catlett, il leader di questa incisione, di professione batterista, ha fatto parte a suo tempo dell'Arkestra di Sun Ra, della quale intende oggi riproporre, col suo Afro Horn, le coordinate stilistiche, peraltro maggiormente virate ...
Celebrating Cecil Taylor at the Painted Bride Art Center
by Victor L. Schermer
Still the New Thing The Painted Bride Art CenterPhiladelphia, PA March 8, 2014 This concert was the first in a series entitled “Still the New Thing" honoring three icons of avant-garde jazz: Cecil Taylor, Ornette Coleman, and Sun Ra. Cecil Taylor turns 85 years old in March. To acknowledge the occasion, ...
Club d'Elf: Fire in the Brain Live at Berklee
by Chris M. Slawecki
"To thine own self be true" is a reliable expression, and few band biographies are more true to their subject than the official label writeup on the marvelously twisted Club d'Elf: “Circling about bassist/composer Mike Rivard (Morphine, Either-Orchestra, Guster, Boston Pops), D'Elf is a constellation of top musicians from the jazz, DJ, rock and world music ...
Raising Vision and Voice
by Chris M. Slawecki
Decades ago, Archie Shepp and Sun Ra were among the first musicians to expand their vision for the human voice beyond the traditional verse-chorus-verse song structure. Today, through digital sampling and other technology, musicians incorporate and manipulate the human voice in ways that even these two iconoclasts might not recognize. At the same time, the profound ...
