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Warne Marsh and Lee Konitz: Two Not One
by Chris Mosey
In 1975, the members of a musical appreciation society called The Danish Jazz Exchange clubbed together to bring their two favorite American improvisers, Warne Marsh and Lee Konitz, to their homeland. They then listened in rapt attention as the saxophonists played a series of concerts at Montmartre, then Copenhagen's premier jazz venue. The shadow of blind ...
Svend Asmussen: Rhythm Is Our Business
by Chris Mosey
Once, as they were jamming, Duke Ellington's drummer Sam Woodyard called out to Danish violinist Svend Asmussen, “Man, you play your ass off," to which The Fiddling Viking replied, with that charmingly naïvely innocent wit so typical of his homeland, “From now on then my name is only Mussen." There is just one ...
Johnny Griffin: From Johnny Griffin With Love
by Greg Thomas
Johnny Griffin From Johnny Griffin With Love Storyville Records 2009 Chicago native Johnny Griffin was undoubtedly one of the greatest artists to ever play the tenor saxophone. His technical capacity at high velocity tempi was legendary, earning him the nicknames “fastest gun in the West" and “Little Giant." ...
Ralph Sutton: In Copenhagen
by Chris Mosey
Ralph Sutton, “The Last of the Whorehouse Piano Players," was 54 and in peak form when these tracks were recorded over three days during a visit to the Danish capital in 1977. It is difficult to imagine Sutton, as a boy, playing organ at the Presbyterian church in Howell, Missouri, where he grew up. From the ...
Red Mitchell / Warne Marsh: Big Two
by Chris Mosey
In the 1950s, critics talked of East and West coast jazz. It was a way of playing the racial card, with East coast representing black, played from the gut; while West was white, played from the mind. As far as the dogmatists were concerned: East good, West bad. The word “cerebral" became a term of abuse. ...
Duke Jordan: In Copenhagen
by Chris Mosey
Irving Stanley “Duke" Jordan, pianist in legendary altoist Charlie Parker's classic quintet, recorded this solo album late in life. It shows he had lost none of the qualities that led Bird to pick him to take part--along with trumpeter Miles Davis, bassist Tommy Potter and drummer Max Roach--in such landmark recordings as “Bird of Paradise," “Dewey ...
Ella Fitzgerald / Mildred Bailey: Ella Fitzgerald Mildred Bailey Legendary Radio Broadcasts
by Andrew Velez
Two vocalists supreme, Ella Fitzgerald and Mildred Bailey, can be heard in some rare sides on Legendary Radio Broadcasts. The former's broadcasts are from January 1940, only months after she had taken over leadership of her mentor Chick Webb's band. The intro is from her early signature novelty hit, “A Tisket A Tasket," and she is ...
Carsten Dahl / Mads Vinding / Alex Riel: In Our Own Sweet Way
by Chris Mosey
After Paris, Copenhagen was the European refuge for American jazz musicians fleeing racial and sometimes political oppression in their homeland in the postwar years. Ben Webster is buried there (in the same cemetery as Søren Kierkegaard), Dexter Gordon and Johnny Griffin locked horns there. Such greats created a solid local scene, which continues to produce some ...
Jay McShann: In Copenhagen
by Chris Mosey
Jay “Hootie" McShann was like one of those Russian dolls that you knock down and they bounce right up again. Right up until his death in 2006 at the age of 90, he was one of the jazz world's great survivors. Born in Muskogee, Oklahoma, in 1916, his spiritual and musical home was Kansas City, where ...
Ben Webster: Ben Webster: The Brute & The Beautiful
by Michael Steinman
Ben Webster (1909-73), perhaps the least acknowledged of the great jazz tenor saxophonists, was fortunate enough to have a varied 40-year recording career. His ballads were immensely tender and his blues and faster tunes could be nearly violent in their intensity. Hence the title of this two-disc set, a centennial issue that celebrates this musical duality. ...
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