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Rick Lawn: The Evolution of Big Band Sounds in America

by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Theo Croker: It's Just Black Music

by Keith Henry Brown
In a field teeming with talented young lions, the bright sound of trumpeter Theo Croker still sticks out. Grandson of the legendary jazz trumpeter Doc Cheatham, the native Floridian graduated from the Oberlin Conservatory of Music and is part of a new movement of emerging jazz artists who expertly incorporate hip hop, electronic and R&B elements ...
Lettuce: Elevate

by Doug Collette
In what is perhaps an act of self-fulfilling purpose, Lettuce lives up to the title of this album, despite the fact it is not the same band that recorded Rage (Velour Recordings, 2008) or Fly (Velour Recordings, 2012). The current lineup is missing the two main instrumentalists from that pinnacle of progression: guitarist Eric Krasno and ...
Atlanta Jazz Festival 2019

by Mark Sullivan
Atlanta Jazz Festival Atlanta, GA May 25-26, 2019 Last year the festival operated under the threat of rain all weekend. This year's 42nd edition saw record-tying high temperatures: 93 and 94 degrees Fahrenheit (ten degrees above the historical averages). No doubt it is a coincidence that the programming was cooler than last ...
Larry Fuller: Overjoyed

by Dan Bilawsky
Pianist Larry Fuller isn't exactly coy about the substance of this record. Exuberance is an obvious through-line as he works his way across a dozen charmers that frequently live up to the promise of the title in different ways. Leading an ace trio with Hassan Shakur on bass and Lewis Nash on drums, Fuller ...
Sam Tshabalala: Returning Home

by Seton Hawkins
The late 1970s saw a surge of extraordinary musical creativity in South Africa. Driven in part by a changing political climate reflecting the youth-led Soweto uprising of 1976, a younger generation of South African artists harnessed the arts to give voice to a new chapter in the anti-apartheid struggle. Indeed, rising ensembles like Movement ...
Ernest Turner: My Americana

by Dan McClenaghan
Pianist Ernest Turner could have gone after the Great American Songbook--Cole Porter, George Gershwin, Lerner and Loewe--a repertoire he has learned well. Instead, on My Americana, he turns toward the sounds that reflect how he grew up, music taken from the African-American experience, with tunes from Thelonious Monk, Kenny Kirkland, Stevie Wonder and Fats Waller, along ...
Dave Stryker: Eight Track III

by Dan Bilawsky
If an idea works, you might as well ride it to its logical conclusion. Following vibraphonist Stefon Harris' advice along those lines in this context, guitarist Dave Stryker completes his Eight Track odyssey with the delivery of the third volume of jazz takes on '70s radio staples. Harris, after having passed the mallets off to fellow ...
Oz Noy: Fun With Fusion

by Jim Worsley
From Israel to New York City to the inner sanctum of our brains, Oz Noy has engaged us along his journey with his commanding depth and flavorfully diverse sound. He is most often referred to as a guitar wizard. As much as that is true, it doesn't convey the level of artistry and compositional complexities that ...
John Beasley: Master of All Trades

by Jim Worsley
In today's busy world, sometimes you just can't do it all. Apparently, John Beasley never received that memo. The pianist, composer, arranger, producer, music director, and film and TV composer is in high demand, and has an enormity of projects that would seem to belie the twenty-four hour day reality. It is perhaps the variance in ...