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82

Article: Album Review

Wally Schnalle: The Suit

Read "The Suit" reviewed by Stephen Latessa


"The Suit," drummer Wally Schnalle writes in the liner notes to his new album of the same name, “is simply a metaphor for a myriad of musical constraints such as: idiom, genre, common practice, expectations, bag, style, and convention. Each of these, and more, I find can impose severe limitations on creativity. And so the straight ...

240

Article: Album Review

Howard Leshaw: Shadow Song

Read "Shadow Song" reviewed by Stephen Latessa


Shadow Song is by and large a mellow, reflective album. Yet there are moments when a more searching, restive sound emerges, transporting Howard Leshaw's quartet to another level of intensity and interplay. Tenor saxophonist Leshaw, who also happens to be a world-class klezmer clarinet player, composed the album's seven songs. The opening track, “Sayief, ...

86

Article: Album Review

Richard Underhill: Tales From The Blue Lounge

Read "Tales From The Blue Lounge" reviewed by Stephen Latessa


Tales From The Blue Lounge is Canadian alto saxophonist Richard Underhill's debut solo album and the winner of the 2003 Juno Award for Jazz Album of the Year. After a long and winding career that has included membership in the eclectic Shuffle Demons and the electronica-based Astrogroove, this disc of ten original compositions finds Underhill exploring ...

177

Article: Album Review

Uptown 5: Uptown Swing

Read "Uptown Swing" reviewed by Stephen Latessa


In the press materials accompanying Uptown Swing, trombonist Jeff Williams describes the Uptown 5 as “a swing quintet playing mainly Basie and Basie influenced music utilizing the enormous and under-used sound of the trombone and tenor saxophone. The description is certainly true, as far as it goes, but it leaves out the palpable sense of joy ...

158

Article: Album Review

Bob Marbach: Out At Night

Read "Out At Night" reviewed by Stephen Latessa


Keyboardist Bob Marbach's debut EP release, Out At Night, is a trio set featuring Jon Mele on drums and Toshi Someya on bass. The program features four original compositions by Marbach along with a cover of Sonny Rollins' “Pent Up House. The album finds the trio locked in series of dark, soulful grooves. Marbach ...

158

Article: Album Review

Luis Munoz: Vida

Read "Vida" reviewed by Stephen Latessa


Vida is the latest offering from Costa Rican percussionist and composer Luis Muñoz. The music within is lush and inviting, gliding gracefully over an almost constantly moving stream of bubbling percussion. Throughout, Muñoz impresses as much with his arrangements and orchestrations as he does with his instrumental prowess and compositions. With a tight, multi-part ...

158

Article: Album Review

Sam Arlen: Arlen Plays Arlen

Read "Arlen Plays Arlen" reviewed by Stephen Latessa


Arlen Plays Arlen is a celebration of the music of Harold Arlen recorded by his son, tenor saxophonist Sam Arlen, released during the centennial year of the legendary composer's birth. Comprised of performances by two big bands and one smaller, more intimate ensemble, the record is brassy, exuberant, and then unexpectedly tender--much like Arlen's songs.

141

Article: Album Review

Devere Pride Trio: ...As In A Morning Sunrise

Read "...As In A Morning Sunrise" reviewed by Stephen Latessa


...As In A Morning Sunrise is a relaxed set of easy and melodic tunes that lightly swing. The Devere Pride Trio, which consists of Pride on bass, Steve Ellington on drums, and Jean-Yves Jung on piano, plays with an easygoing casual rapport that comforts the listener even as the band delves into some truly challenging material ...

138

Article: Album Review

Jeff Baker: Monologue

Read "Monologue" reviewed by Stephen Latessa


Monologue is not the most appropriate title for vocalist Jeff Baker's followup to Baker Sings Chet. To his credit, Baker cedes plenty of the spotlight to his band. The result is far more conversational than its title would lead one to believe. Singers seem to fall into one of two categories. The first is ...

239

Article: Album Review

Chris Winters: Impressions

Read "Impressions" reviewed by Stephen Latessa


The Blujazz web site categorizes guitarist Chris Winter as a “hybrid improvisational artist, and indeed, there are strains of blues, soul, and funk to be found alongside the jazz elements on Impressions. The music, composed by Winters, is smooth, assured, and flowing. Throughout, Winters proves to be a more than able technician. He plays ...


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