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John Scofield: One For Swallow

by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
Pinball: Pinball

by Bruce Lindsay
"Tommy" played a mean pinball, while Brian Protheroe ran out of pale ale when he made his own Pinball" into a hit record. This Pinball, the debut release from the Australian/French quartet of the same name, has none of the feel of a dingy games arcade, or the odour of pale ale. Instead, it is an ...
Bucky Pizzarelli: Remembering Family Rhythms On The Roads Of New Jersey

by Arthur R George
Guitarist Bucky Pizzarelli, from 1926 to his passing at age 94 on April 1, lived his entire life in New Jersey, and had said that he couldn't imagine living anywhere else. Forget the turnpike jokes. Remember instead the nearness to jazz in New York, the closeness of family, shared driving in the New Jersey night, the ...
How to Play a Tin Whistle Like Michael Brecker

by Peter Rubie
I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigsand practicing! It's great."
Results for pages tagged "Stephane Grappelli"...
Hot Club of Baltimore

Hot Club of Baltimore performs inspired arrangements of Django Reinhardt repertoire, French Musette and Jazz. Michael Joseph Harris (Ultrafaux Ensemble) is guitarist and founder of the group which consists of a collective of top jazz musicians. Harris is also the founder and artistic director of Charm City Django Jazz Fest, Baltimore's longest running Jazz Festival which happens every Spring. Hot Club of Baltimore boasts a variety of configurations which include the instrumental trio of 2 guitars and bass, the classic quintet with violin, the late 40's "Django in Rome" sessions adding piano, drums, and horns, and the big band sound when Reinhardt performed with Duke Ellington
Results for pages tagged "Stephane Grappelli"...
Stephane Grappelli

Born:
Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil to Reindhart's guitar in this piano-less group. Fired by Reindhart's tremendous rhythmic powers, Grappelli's contributions to recordings by the Quintette like Lime House Blues, China Boy and It Don't Mean A Thing (all 1935) and Them There Eyes, Three little Words and Swing '39 (these latter three tracks from 1938-39) were admirable in their execution. Occasionally Grappelli would play piano, as when harmonica virtuoso Larry Adler recorded with the group in 1939, the year when Reindhart and Grappelli, violin, recorded (with delightful results) as a duo (all Django Reindhart). Grappelli born (1908) and raised in Paris was involved with music at a very early age
BIG January Birthday Salutes!

by Marc Cohn
BIG, I mean BIG January birthday salutes on Gifts & Messages this week: 120th birth anniversary for trombonists Juan Tizol and Wilbur De Paris; 110th for Django Reinhardt; 100th for vocalist Betty Roché and saxophonist Jimmy Forrest; 90th for saxophonist Jack Nimitz, trumpeter Kenny Wheeler and pianist/vibraphonist Buddy Montgomery. And special birthday greetings to bassist Eberhard ...
Jazz Musician of the Day: Stephane Grappelli

All About Jazz is celebrating Stephane Grappelli's birthday today! Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil ...
Unburied Treasure

by John Kelman
Of all the so-called progressive rock bands that emerged in the late '60s/early '70s, Gentle Giant has, perhaps, been the most misunderstood, and the one which failed to reach the same deserved commercial heights of its creatively innovative brethren, like King Crimson, Yes, Genesis and Pink Floyd. Of the bigger names from that time, only Van ...
Listeners' Recent Faves

by Marc Cohn
Listeners' favorites this week from shows 381 to 390! Lots of 'pop' covers tickled your fancy this time around, along with a trip to New Orleans and the usual dose of grits & gravy. Enjoy the show. And, no, we haven't abandoned Blue Note 50th anniversary salutes (yet:); they will be featured next week. Thanks for ...