Results for "Stephane Grappelli"
Stephane Grappelli
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Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil to Reindhart's guitar in this piano-less group. Fired by Reindhart's tremendous rhythmic powers, Grappelli's contributions to recordings by the Quintette like Lime House Blues, China Boy and It Don't Mean A Thing (all 1935) and Them There Eyes, Three little Words and Swing '39 (these latter three tracks from 1938-39) were admirable in their execution. Occasionally Grappelli would play piano, as when harmonica virtuoso Larry Adler recorded with the group in 1939, the year when Reindhart and Grappelli, violin, recorded (with delightful results) as a duo (all Django Reindhart). Grappelli born (1908) and raised in Paris was involved with music at a very early age
Catching Up with Willie Nelson
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in October 1999. Willie Nelson is a man of the people. In a single night (the night of this interview), I witnessed Willie sign more autographs and shake more hands (genuinely) than Al Gore has through his entire two terms as Vice ...
Jazz Musician of the Day: Stephane Grappelli
All About Jazz is celebrating Stephane Grappelli's birthday today! Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil ...
David Broza: En Casa Limon
by Phillip Woolever
Imitation is often said to be the highest form of flattery, but independent inspiration forged into similar styling is a much higher art. That's the case here with guitarist David Broza, whose admiration for flamenco icons led to a marvelous album holding many delights. After living in Spain during some of his teenage years, ...
David Broza: En Casa Limon
by Kyle Simpler
If any instrument captures the spirit of Spain, it is the guitar. Performers such as Tomatito and Paco De Lucia have helped bring flamenco guitar to a global audience, and both have recorded albums at the Casa Limón Studios in Madrid. This studio has a certain mystique about it, and is where David Broza recorded En ...
Meet Jonathan Glass
by Tessa Souter and Andrea Wolper
New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs—-perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...
Jazz Doc: Stéphane Grappelli
European jazz starts with Stéphane Grappelli and the Hot Club of France Quintet. The violinist along with guitarist Django Reinhardt added Louis Vola on bass and Joseph Reinhardt and Roger Chaput on guitar. The group ended its run in 1939 with the onset of World War II. Grappelli was in London when war broke out and ...
Gabe Terracciano: A Constant State Of Arriving
by Ian Patterson
It may seem strange that a jazz violinist should admit to hating jazz violin, but Gabe Terracciano is not your run-of-the-mill jazz violinist. For starters, what other jazz violinist plays Ornette Coleman tunes in a bluegrass band? Nor are there too many jazz violinists who have taken first prize at an old-time fiddle competition, toured Ghana ...
Rez Abbasi: Django-shift
by Karl Ackermann
Django Reinhardt's music is so ubiquitous that it's easy to forget his career was relatively brief. The gypsy guitarist/composer had recorded hundreds of 78s and acetates before he died of a stroke in 1953 at age forty-three. On many early sides, he played a six-string banjo-guitar hybrid tuned in the standard tuning of a guitar. Norman ...
Dominic Ingham: Role Models
by Ian Patterson
Jazz violinists' role models tend to follow a familiar continuum that runs roughly from Stuff Smith and Stéphane Grappelli to Jean Luc Ponty and Didier Lockwood. British violinist/singer Dominic Ingham, however, paddles his own canoe. With a technique that draws as much from his folk and classical upbringing as it does from jazz, Ingham's idiom is ...
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