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248

Article: Album Review

Danny Walsh Quintet: D's Mood

Read "D's Mood" reviewed by C. Andrew Hovan


Leave it to SteepleChase producer Nils Winther to have the fortitude for discovering and then giving recording opportunities to the likes of Ari Ambrose, Michael Cochrane, Dave Ballou, and George Colligan in recent years. Now add to this list the name of alto and tenor saxophonist Danny Walsh. Although he has been heard these days with ...

175

Article: Album Review

Ron McClure Quartet: Dream Team

Read "Dream Team" reviewed by C. Andrew Hovan


It would be hard to argue with bassist and leader Ron McClure when he assesses the musicians assembled here as being a “dream team”. Drummer Billy Hart alone guarantees the success of just about any record date he is a part of, while pianist Marc Copland has recently been turning heads with his own acclaimed series ...

203

Article: Album Review

Michael Cochrane Quartet: Cutting Edge

Read "Cutting Edge" reviewed by C. Andrew Hovan


His resume is an imposing one, marked by gigs with Sonny Fortune, Jack Walrath, Eddie Gomez, Clark Terry, Michael Brecker, Chip White, the Spirit of Life Ensemble, Nancy Monroe, and many more. Add to that beneficial training from the likes of Jaki Byard, Eleanor Hancock and the legendary Madame Chaloff. This gives you just a simple ...

114

Article: Album Review

Michal Urbaniak Quartet: Ask Me Now

Read "Ask Me Now" reviewed by C. Michael Bailey


Be Bop Be Bop Be Bop Be Bop Be Bop Be Bop It was not so long ago that I was reviewing a Columbia re-release of Urbaniak's Fusion. That recording found the violinist very much in a Jimi Hendrix/Miles Davis electronic mood (appropriate for the early '70s). While a landmark recording, Fusion did not age well. ...

175

Article: Album Review

Rich Perry: So In Love

Read "So In Love" reviewed by C. Andrew Hovan


Too long taken for granted, tenor saxophonist Rich Perry often serves as the faceless sideman, a past contributor to the music of Tom Harrell, Chet Baker, Jack McDuff, Billy Hart, and the Thad Jones/Mel Lewis Orchestra. For very close to a decade now, he's also been the lead voice of pianist Harold Danko's quartet, a group ...

209

Article: Album Review

Dave Stryker: Blue to the Bone II

Read "Blue to the Bone II" reviewed by C. Andrew Hovan


Considering that forty-something guitarist Dave Stryker has made over a dozen albums under his own name, leads a sharp quartet with Steve Slagle, and is in constant demand as a sideman working in the past with Stanley Turrentine, Jack McDuff, Javon Jackson, and Kevin Mahogany, you'd think he'd be practically a household name. Unfortunately that's not ...

87

Article: Album Review

George Cables Trio: Bluesology

Read "Bluesology" reviewed by Mark Corroto


In the last 15 years, our rush to anoint dozens of twenty-somethings as the new ‘marketable’ heroes of jazz, we have overlooked many master musicians. Recently though, I see that trend reversing. Artists such as Tommy Flanagan, John Lewis, and Hank Jones have signed domestic label recording contracts. With major label signings come their deserved critical ...

116

Article: Album Review

George Cables: Bluesology

Read "Bluesology" reviewed by C. Andrew Hovan


We don't get enough of George Cables these days. You know how it is; record for those little independent labels and somehow you just get lost in the major league shuffle. Look a little deeper and you'll find that Cables has made some great trio music in recent days, with two dates coming to my mind ...

215

Article: Album Review

George Colligan: Small Room

Read "Small Room" reviewed by C. Andrew Hovan


Time out for a personal pitch regarding one of the most imaginative up-and- coming pianists on the contemporary jazz scene. Thirty-year-old New Jersey native, George Colligan has compiled quite a resume, what with offers for sideman gigs from Gary Thomas, Lee Konitz, Freddy Cole, Billy Hart, and Steve Wilson, not to mention a magnificent spate of ...

113

Article: Album Review

George Colligan: Small Room

Read "Small Room" reviewed by Mark Corroto


In a solo setting, George Colligan displays sensitivity not heard in his previous recordings. Whether recording under his leadership or as sideman for trumpeter Eddie Henderson or saxophonists Gary Bartz or Gary Thomas, Colligan opted for thrills and bebop lines. As a soloist he has the subtle feel of the great Bill Evans. Like Evans, he ...


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