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Album

Bluesology

By George Cables

Label: SteepleChase Records
Released: 2000
Track listing: In Your Own Sweet Way, Easy Living, There Is No Greater Love, Voodoo Lady, Come Rain or Come Shine, A Night in Tunisia, Hi- Fly, Bluesology, Ebony Moonbeams, How Deep Is the Ocean (69:29)

Album

Transition

By LeeAnn Ledgerwood

Label: SteepleChase Records
Released: 2000
Track listing: Dolphin Dance, Vierd Blues, Night and Day, Morning Psalm, Five, Appalachian Green, Four By Five, Central Park West, Transition (68:24)

197

Article: Album Review

Larry Schneider: Ornettology

Read "Ornettology" reviewed by C. Andrew Hovan

by C. Andrew Hovan

A very adaptable saxophonist whose major claim to fame was a brief time spent with Horace Silver back in the late ‘70s, Larry Schneider is not as well known as he should be. Part of the post-Coltrane movement that produced such players as Michael Brecker and Bob Berg, this prolific sideman has been leading a series ...

120

Article: Album Review

Ari Ambrose: Cyclic Episode

Read "Cyclic Episode" reviewed by C. Andrew Hovan

by C. Andrew Hovan

That astute follower of new talent, Nils Winther, introduced us to up and coming tenor saxophonist Ari Ambrose in 1998 with a trio date sans piano that was as remarkable in its daring as it was in its pronouncement of a great new talent on the scene. Now comes along Cyclic Episode and we hear Ambrose ...

154

Article: Album Review

Tony Purrone: Temperament

Read "Temperament" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Let’s get right to the nitty gritty. To quote modern parlance, Tony Purrone is one of the “baddest” guitarists that you’ve probably never heard of, and in this case “bad” means something very good indeed. When Mark Gardner’s liners to this latest affair suggest that Purrone has “impeccable technique,” he’s surely engaging in some form of ...

194

Article: Album Review

Sam Newsome: The Tender Side of Sammy Straighthorn

Read "The Tender Side of Sammy Straighthorn" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Picking up the soprano saxophone these days as your sole instrument can be a dangerous proposition. For one thing, the straight clarinet-like horn is notorious for going out of tune if your embouchure is not up to par. Secondly, a whole generation of Kenny G clones has left some fans thinking that the instrument is only ...

138

Article: Album Review

DaveStryker: Shades of Miles

Read "Shades of Miles" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Over the course of some dozen SteepleChase sides guitarist Dave Stryker has presented himself in various forums that have illustrated his diversity and flexibility as a musician. However, Shades of Miles has to be his most radical departure while simultaneously being possibly his greatest work to date. The premise is actually very simple, yet inspired. Instead ...

142

Article: Album Review

George Colligan: Stomping Ground

Read "Stomping Ground" reviewed by C. Andrew Hovan

by C. Andrew Hovan

One of the best-kept secrets in jazz, pianist George Colligan has developed an intrepid attitude that goes hand-in-hand with a strong sense of identity. That was just as apparent on his first date as a leader for SteepleChase, Activism, as it is on this latest excursion into trio territory. Tunes such as Charles Tolliver’s “Right Now” ...

113

Article: Album Review

Andy LaVerne & Dave Samuels: Between Earth & Mars

Read "Between Earth & Mars" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Like label mate Harold Danko, pianist Andy LaVerne possesses talent that should be commensurate with a much broader public awareness. One of sax legend Stan Getz’s favorite accompanists, LaVerne has built a sizable catalog for SteepleChase over the past two decades- some 18 strong- with Between Earth & Mars serving as a reunion with vibraphonist Dave ...

324

Article: Album Review

Paul Bley: Notes On Ornette

Read "Notes On Ornette" reviewed by C. Andrew Hovan

by C. Andrew Hovan

These are the tunes that have become the stuff of legend. And don’t just take it from this reviewer, ask Pat Metheny and countless others who have found something to say in the early compositions of Ornette Coleman. Either because he was on the West Coast working with Coleman and Don Cherry at the time or ...


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