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Stanley Turrentine
Born:
Stanley William Turrentine was one of the most distinctive tenor saxophonists in jazz. Known for his big, warm, sound, "The Sugar Man" or the original "Mr. T" found inspiration in the blues and turned it into a hugely successful career with a #1 hit and four Grammy nominations — first in R&B and then in jazz. Born on April 5, 1934 in Pittsburgh, a city that has produced more than its share of jazz masters, Turrentine hailed from a musical family. His saxophone-playing father was a big influence, as was his stride piano-playing mother and older brother, the late trumpeter Tommy Turrentine. One of Stanley's earliest influences on sax was tenor great Illinois Jacquet
A Muse Renaissance: Reissues from Roy Brooks, Kenny Barron, and Carlos Garnett
by C. Andrew Hovan
The independent jazz label has long served as a bellwether for the music's highest artistry, ever since the advent of the long-playing record. Labels such as Verve Records, Blue Note Records, Prestige Records, Contemporary Records, and Riverside--each a modest operation led by passionate entrepreneurs--were devoted to documenting the sound of their era with fidelity and purpose. ...
Scott H. Thompson, Founder of Scott Thompson Public Relations Passes at 71
Scott H. Thompson, Jazz Journalist and Public Relations expert, died peacefully at his home in Palm Beach, Florida on October 24, 2025. He was 71. Born in New York City in 1954, Scott’s love of music ignited in 1968 at age 14 when he attended a Jimi Hendrix concert in Kansas City. Scott discovered Wes Montgomery ...
The "Jazz Detective" Finds A New Muse, Reissues Lost Classics
by Joshua Weiner
Joe Fields (1929-2017) was a jazz producer and record executive who worked for Columbia, MGM, Verve, and, most impactfully, at Prestige in the 1950s and 1960s. Shortly after Prestige was sold to Fantasy in 1971, ending a classic era for the storied label, Fields founded Muse Records to document the next phase in jazz. Muse brought ...
Eric Alexander: Like Sugar
by Pierre Giroux
Tenor saxophonist Eric Alexander delivers a soulful modern tribute to Stanley Turrentine with his album Like Sugar. Recorded at the renowned Van Gelder Studios in Englewood Cliffs, NJ, with longtime collaborators David Hazeltine on piano, Dennis Carroll on bass, and George Fludas on drums, the album reinterprets Turrentine's spirit rather than simply copying it, resulting in ...
The Jazz Innovator: Jerald Miller
by B.D. Lenz
It's understood that talent alone is rarely enough to be successful in the music business. Among other things, it requires drive, relentless hard work, resilience, and a certain level of business acumen. But, in the last few decades, it's become increasingly important to be tech-savvy as well. To highlight the difference, could you imagine Miles Davis ...
BARI-ed Alive: Put It There
by Pierre Giroux
In an era teeming with standard horn sections and predictable lineups, BARI-ed Alive's Put It There stands out as a bold and sonorous declaration of individuality. The sextet's audacious choice to feature three baritone saxophones--masterfully played by Alex Dean, Shirantha Beddage, and Chris Gale--creates a sound that is muscular, bottom-heavy, and perhaps surprisingly buoyant. Rounded out ...
Ten Terrific Sax Plus Organ Combinations
by Artur Moral
OK, maybe the electric guitar was its first and most celebrated love affair, but the organ's alliances with the saxophone's family members are undoubtedly among the richest musical combinations, both in terms of sound and the intense interrelationships that typically develop in such encounters. Whether it be a tenor with a Hammond, a soprano with an ...
Take Five with Saxophonist Noah Peterson
by AAJ Staff
Meet Noah Peterson While his troubadour days are behind him, Noah continues to have musical adventures. From his many bands and explorations of different genres of music Noah always has his fingers in something. His latest adventure includes his brand new quartet recording of all original music Coming Home To You and the rebirth of The ...
Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original
by Dean Nardi
One of the reasons podcasts have become so popular is they provide listeners with the experience of hearing people live, raw and unedited with no safety net as opposed to reading an article in a magazine or on the Internet. Even a Question & Answer interview is edited to remove repetitive comments and all the “ums" ...
