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Meet Ken Peplowski
by AAJ Staff
This article was first published on All About Jazz in August 1998. In numerous rave reviews, critics have exalted Ken Peplowski as the epitome of jazz traditionalism. But repeated listenings of his work reveals that Peplowski is perhaps more experimental and diverse than some have described him. It is worth noting that while Benny ...
Introducing Saxophonist Anirudh Chakravarthy
by Sanford Josephson
Tenor saxophonist Paul Gonsalves' 27-chorus solo on “Diminuendo and Crescendo in Blue" with the Duke Ellington Orchestra at the 1956 Newport Jazz Festival is etched in jazz history. It energized the Newport audience and rejuvenated Ellington's band. So, the prospect of recreating that moment at Jazz at Lincoln Center's 2024 Essentially Ellington competition had ...
Sonny Sitt, Kris Davis, Rufus Reid
by David Brown
This week, a series of mini-sets featuring Sonny Sitt, Tommy Flanagan, Esperanza Spalding, Harold Land, Kris Davis and Rufus Reid. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective.Playlist Thelonious Monk “Esistrophy (Theme)" ...
Backgrounder: Sonny Stitt's Night Crawler
When I was collecting Sonny Stitt albums as a kid in the early 1970s, my purchases divided into three categories: not bad, meh and perfection. Back then, there was no internet. Instead, I listened religiously to jazz FM radio stations and entered favorites in a small notebook that fit in my back pocket. Everyone I knew ...
John R. Lamkin II: Movin'
by Karl Ackermann
Movin' from John Lamkin II, and The Favorites Jazz Quintet, marks only the third album in a career that has spanned four decades. The trumpeter and composer is a native of Atlantic City, New Jersey, and had his first taste of jazz on Kentucky Avenue before casinos took over that space. Before joining the University of ...
Curtis Taylor: Taylor Made
by Jack Bowers
Trumpeter and composer Curtis Taylor's debut album, he writes in the liner notes, “was over twenty years in the making." Ever since he was a teenager, Taylor confesses, he dreamed of recording his music with a group of stellar musicians and calling it Taylor Made. And now he has. The album's cover mirrors ...
Albert "Tootie" Heath: Class Personified
by R.J. DeLuke
This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...
Friends & Neighbors: Circles
by Mark Corroto
Let's talk about Bird. Bird, not as in the sobriquet given to Charlie Parker but the actions of a bird, such as a parrot. Many a musician mechanically repeats the music of their musical heroes. For example, after Parker, we hear Phil Woods and Sonny Stitt recycling bebop. The Miles Davis' quintet of the 1960s begat ...
Backgrounder: Sonny Stitt - Tune-Up!
Perhaps the high points of Joe Fields's Cobblestone label were a pair of albums by Sonny Stitt released in 1972—Tune-Up! and Constellation. Both were produced by Don Schlitten. On Tunre-Up!, Stitt played alto and tenor saxophone and was accompanied by Barry Harris on piano, Sam Jones on bass and Alan Dawson on drums. What made this ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
