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Bill Charlap, Ron Miles & Jean Fineberg
by Joe Dimino
From bandleader and musical force of nature Jean Fineberg we begin the 756th Episode of Neon Jazz with a track from her band's eponymous release followed by something from “The Godfather of Soul" and a commentary from Jean. We also delve into new music from Peter Curtis, Keith Oxman and Chris Greene. Vocalists take center stage ...
What Next After Kind of Blue?
by Steve Cook
For those dipping a first toe into jazz, the Miles Davis classic Kind of Blue (Columbia, 1959) is a common initial purchase or listen for many plausible reasons. Web searches for “best jazz albums of all time," or the like, bring up numerous lists that put it at the top and on newcomers' radars. Prominent placement ...
Jean-Luc Ponty: Imaginary Voyages, Part 1
by Peter Rubie
Part 1 | Part 2 Jazz is an art form that has been a singular hothouse of musical talent over the decades. There are, and have been, lots of not just great but brilliant players. But perhaps not unsurprisingly, there have been far fewer jazz originals. I mean by that, musicians whose playing has ...
Javon Jackson: Wading In Spiritual Waters
by R.J. DeLuke
Saxophonist Javon Jackson, he of the sonorous tenor tone and the inquisitive musical mind, embarked last year on a musical project with a different twist. Jackson, a follower of Sonnys Stitt and Rollins, is known as a a jazz fiend, one of the dauntless players of his era. His superb playing is marked by ...
Jordan VanHemert: Nomad
by Jane Kozhevnikova
After his previous album, I Am Not A Virus (Big Round Records, 2021), inspired by the ongoing fight against racial prejudice, Jordan VanHemert releases Nomad, continuing to explore and embrace his Asian American identity. As the liner note says, this album is a celebration of Korean culture “through the melodies of both ancient & contemporary folk ...
Jordan VanHemert: Nomad
by Jack Bowers
Although his name offers no clue, saxophonist Jordan VanHemert's heritage is Korean. He salutes that legacy on Nomad, his second album as leader, with a pair of Korean folk songs and half a dozen comparatively modern themes written by Koreans or Korean Americans. Most are performed by VanHemert's trio: (Rodney Whitaker, bass; David Alvarez III, drums). ...
Pianoless Trios: Sonny Rollins to Ballister
by David Brown
Sonny Rollins is famous for the pianoless trio. He said the lack of chordal instruments gave him more freedom for soloing. Tonight, a smorgasbord of trios sans pianos. Offering lots of space for soloists and collective interplay. Note: Due to a loose board plug, songs two and three play in mono. The issue was resolved during ...
Dave Green Trio plus Evan Parker: Raise Four
by Duncan Heining
Bassist Dave Green recorded this set for the BBC Radio 3 programme Somethin' Else in 2004. In the interview included here with the show's presenter Jez Nelson, Green reflects on a forty year career in jazz. It is fitting that this fine record, only his fourth as leader, sees its release in the year Green marks ...
Bill Frisell: Never Ending Revelations
by Ian Patterson
Touchstone Albums Picks is a new column from All About Jazz that invites artists to talk about the albums that have moved and inspired them and perhaps in some way informed their own music. In celebration of the publication of Bill Frisell, Beautiful Dreamer (Faber & Faber, 2022), Irish journalist Philip Watson's definitive biography of the ...
Yannick Rieu Generation Quartet: Qui Qu'en Grogne
by Dan McClenaghan
Veteran jazz man Yannick Rieu, based in Montreal, was tagged back in 1988 as one of the top saxophonists in the world, his name mentioned alongside Branford Marsalis, Joe Lovano and Courtney Pine. That set the bar high. A bit over thirty years have passed since he was presented with that high praise. Qui Qu'en Grogne, ...
