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156

Article: Album Review

Benoit Delbecq: Phonetics

Read "Phonetics" reviewed by Francis Lo Kee

by Francis Lo Kee

Benoît Delbecq is a unique and diligent musical explorer who deserves your listening attention. Phonetics and some recent performances provide a helpful introduction to two very developed aspects of his musical being. In his solo piano playing (heard at the Jazz Gallery last month) Delbecq used a prepared piano technique that turned his ...

108

Article: Album Review

Patrick Zimmerli: Phoenix

Read "Phoenix" reviewed by Andrew Velez

by Andrew Velez

The notes accompanying this sixth release from Patrick Zimmerli, a New York-based composer/saxophonist, give no hint of when he may have fallen to earth from parts unknown, bringing with him an unclassifiable mix of jazz, strings, and electronics.The set opens with the dreamlike landscape of “M, which is dramatically revisited later mid-set with Kevin ...

250

Article: Album Review

Peter Epstein/Brad Shepik/Matt Kilmer: Lingua Franca

Read "Lingua Franca" reviewed by John Dworkin

by John Dworkin

Like what's being done by many creative musicians today, including Kenny Wheeler, Bill Frisell, and Brian Blade's Fellowship, the music and approach on Lingua Franca are better described as searching than the more common burning. Peter Epstein, Brad Shepik, and Matt Kilmer trade more in water than fire. This is not a value judgement, just a ...

136

Article: Album Review

Patrick Zimmerli: Phoenix

Read "Phoenix" reviewed by Eyal Hareuveni

by Eyal Hareuveni

On his sixth release, New York-based composer and saxophonist Patrick Zimmerli hybridizes the sounds of a jazz quartet with a string quartet, adding a gentle dose of samples and electronics and spicing it all up with popular and ethnic elements. Phoenix, Zimmerli's fourth release for the Vancouver based Songlines label, attempts to integrate these styles into ...

167

Article: Album Review

Dylan van der Schyff: The Definition of A Toy

Read "The Definition of A Toy" reviewed by Jerry D'Souza

by Jerry D'Souza

The title tune for The Definition of A Toy was written specifically for the album by reed multi-instrumentalist Michael Moore, who was inspired by an ad for a toy. The words that grabbed his attention were specifications that it be “open-ended, “interactive, and “encourage creativity. The members of this group inject those descriptives into every tune ...

122

Article: Album Review

Peter Epstein/Brad Shepik/Matt Kilmer: Lingua Franca

Read "Lingua Franca" reviewed by John Kelman

by John Kelman

The term “world music gets bantered around frequently these days, referring (among many other things) to anyone who integrates any kind of ethnic folk music into a larger musical concept. But there's really nothing new about the idea of cross-cultural blends from a jazz perspective. Even before groups like Oregon, guitarist John McLaughlin's Shakti, and ECM ...

111

Article: Album Review

Peter Epstein/Brad Shepik/Matt Kilmer: Lingua Franca

Read "Lingua Franca" reviewed by Jerry D'Souza

by Jerry D'Souza

One of the prime factors in assembling this project was that each musician should represent a distinct musical culture. Peter Epstein (saxophones), Brad Shepik (guitar), and Matt Kilmer (percussion) home in and open the doors to a world of fascinating rhythms. Jazz has often moved across various lands in search of its muse. This ...

218

Article: Album Review

Peter Epstein/Brad Shepik/Matt Kilmer: Lingua Franca

Read "Lingua Franca" reviewed by Dan McClenaghan

by Dan McClenaghan

The music we call jazz--a broad and ill-defined category--embraces a wide array of sounds. Under the jazz umbrella you find bebop to electronica, ambient to power trio, turntablism to tablas, ferocious saxophones to Balkan folk music. That's a big part of the music's appeal. The art form is not static; it evolves and incorporates everything it ...

154

Article: Album Review

Benoit Delbecq Unit: Phonetics

Read "Phonetics" reviewed by AAJ Staff

by AAJ Staff

After two relatively stripped-down efforts, the duo Dice Thrown (Songlines, 2002) and solo Nu-Turn (Songlines, 2003), Parisian pianist Benoit Delbecq returns with a quintet for Phonetics, taking full advantage of the extended range of his group--stylistically, timbrally, and texturally. Delbecq's music draws from several diverse traditions, including the often counterintuitive constructs of modern classical music, the ...

132

Article: Album Review

Benoit Delbecq Unit: Phonetics

Read "Phonetics" reviewed by Dan McClenaghan

by Dan McClenaghan

What a wonderful band that pianist Benoit Delbecq has put together! This finely synchonized unit creates an exceptional ensemble sound with its dark, moody tones and circuitous melodies, playing music that sounds as if it were conceived in a cave, in murky shadows and cool and dry air. An unusual timbral mix--viola and tenor saxophone--sets the ...


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