Results for "Sherman Irby"
Sherman Irby
Born:
Born and raised in Tuscaloosa, Alabama, Sherman began playing music at the age of 12, almost immediately recognizing that it was his life’s calling. During high school he had the opportunity to play and record with Gospel immortal James Cleveland. After completing high school in 1986, Sherman attended Clark Atlanta University, graduating with a B.A. in Music Education. After college, he joined Atlanta-based piano legend Johnny O’Neal’s quintet for a time before moving to New York City in 1994. After moving to New York, Sherman quickly connected with the fertile and vital scene at Smalls Jazz Club, where he was a regular until 1997
Transformation
By Ted Nash
Label: Tiger Turn
Released: 2021
Track listing: Creation, Part I; Creation, Part II; Dear Dad/Letter; Dear Dad/Response; Prelude for
Memnon; One Among Many; Rising Out of Hatred; A Piece by the Angriest Black Man in
America; Forgiveness; Wisdom of the Humanities; Reaching the Tropopause.
Glenn Close/Ted Nash: Transformation
by Jack Bowers
When confronted by an album whose tracks include the names “Creation" (Parts 1 and 2), “Preludes for Memnon," “Wisdom of the Humanities" and “Reaching the Tropopause," among others, one braces for whatever may transpire, buoyed by the thought that with Glenn Close, Ted Nash and the Lincoln Center Jazz Orchestra on board, how displeasing could it ...
Sherman Irby, Count Basie, Karl Denson and More
by Joe Dimino
The pandemic goes on and jazz musicians keep on finding innovative ways to stay relevant and creative. This week we focus on some of those that are doing so by releasing new material and good thoughts into the world. We start the hour with a veteran of the Jazz at Lincoln Center Orchestra in Sherman Irby. ...
Virtual Jazz: A Hallmark Achievement from Jazz at Lincoln Center
by Nick Catalano
Virtual reality and the concomitant world of digitalization has received remarkable new attention because of the COVID-19 pandemic. Every conceivable art or music entity usually presented in a live format has adapted the technology and audience responses everywhere are so favorable that this new approach will certainly continue to develop long after the present crisis ebbs. ...
Jazz at Lincoln Center Orchestra with Wynton Marsalis: The Music of Wayne Shorter
by Chris M. Slawecki
As a saxophonist, founding member of Weather Report and member of Miles Davis' second great acoustic quintet, it won't be hard to find Wayne Shorter's name in the pages of modern jazz history. But the massive The Music of Wayne Shorter highlights a sometimes-overlooked element of Shorter's musicianship: His ability to compose, which has contributed “Footprints," ...
Innervisions, Improvisations and Other Jazz Fevers
by Chris M. Slawecki
Lili Añel Better Days Winding Way Records 2019 Singer-songwriter Lili Añel and Better Days sound cut straight out of the northeast US. It's more than the geographic location of Añel's birth (Spanish Harlem, “El Barrio," in New York) or raised (South Bronx), and it's more than ...
Blue Note 50th Anniversaries: October 1968 & More
by Marc Cohn
The first show of the month means it's time for a dive into the Blue Note vault for our monthly celebration of Blue Note 50th anniversaries. Before that, the doctor presents a selection of recent music that caught his ear. As a bonus, you will find Albert Ammons, from the second Blue Note release, which was ...
Jelly Roll Morton Front and (Lincoln) Center
by Nick Catalano
With a three-night gala celebrating the music of Jelly Roll Morton, the Jazz at Lincoln Center orchestra marked its 30th season at Rose Hall. Focusing on Morton's pioneer arranging achievements with amplifications of them from Jazz at Lincoln Center performers, the evening offered a penetrating exploration of the Creole legend's multifarious compositional musings and featured a ...
Jazz for President - Le suite di Delfeayo Marsalis e Ted Nash
by Angelo Leonardi
Gli anni sessanta sono lontani e con essi la controversia su jazz e politica. Com'è noto, la musica è un'arte asemantica e i musicisti non possono trasmettere significati (in questo caso politici) con il linguaggio delle note. Però gli artisti esprimono eventuali scelte ideologiche iscrivendo la loro musica in un quadro semantico più generale, fatto di ...
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Cleveland Time by Matthew Alec
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