Results for "saxophone, soprano"

Mirko Fait

Born: June 3, 1965

Mirko Fait, Italian, was born in Milan on 3rd June 1965 in a family of artists. Mirko started playing the guitar at a young age, from the early 1970s, but it was only later that he realised that his cultural ground was jazz music. This is why in the 1990s he chose the contralto saxophone. He started his studies in Bergamo with Alberto Nacci, moving back to Milan he continued studying the tenor saxophone with the maestro Michele Bozza, with Giulio Visibelli and Emanuele Cisi at the centre “Civica di jazz” run by Franco Cerri and Enrico Intra, until his last lessons with the American Michael Rosen.

He played straight away in different bands and he performed from the very first years also in jam sessions and with various jazz groups in a few Milanese clubs (Capolinea, Scimmie, Tangram, Aquatica, Mirasol, le Trottoir, Ittolittos, Ca’Bianca, Santa Tecla).

In January 2002, with the Cuban trumpet player and pianist Gendrickson Mena Diaz, he was asked to play for a renowned stylist group at the Pitti Uomo club and in 2003 he founded the jazz band Five for you

Mitch Paliga

Born in the small mountain town of Libby Montana, I first heard music when my father would play the harmonica around the house. He liked to play old cowboy/folk tunes like "Red River Valley". My father, Nick, learned how to play the harmonica as a young boy from his childhood friend Lido Vizuti. Lido is the father of the well known trumpet player Alan Vizuti. My mother, Joyce, also played trumpet when she was in high school so I was doubly inspired to play the trumpet but changed my mind to the saxophone at the last minute for reasons I still do not know. In 1972 I joined the public school band program, started on alto saxophone and was hooked

Rob Mosher

A melodic, lyrical composer and performer, Rob Mosher is a musician well versed in the jazz and classical worlds, committed to furthering the growth and combination of the two. Specializing on oboe, English horn and soprano sax, Mosher is a proven creator with a uniqueness of voice and an interest in exploring genre fluidity. Recipient of a 2009 ASCAP Young Composer Award, Rob recently released his critically lauded debut CD Storytime--The Tortoise which has been called “heartbreakingly beautiful, with melodies that stop the listener in [their] tracks” by the Hartford Courant (2008).

Svend Undseth

Born: August 1, 1955

Svend Undseth is a flautist/saxophonist who has been part of the jazz-rock scene since its infancy. Undseth's muscial career has embraced many genres, but in his new album The Neon Jazz Collection, he is returning to his early inspiration. His early albums with his first group, Vanessa, were pioneering works in the jazz rock canon, and in returning to his roots he has found new inspiration. His work with Prima Vista. collects the lyrical threads woven from the past as he once again let the melody guide the compositions.Svend started his musical career as a leader and later CO-leader with Frode Holm in the jazz-rock group Vanessa back in 1971.The group made two albums, "City Lips" 1973 and "Black and White" 1977.He released his first solo album "Grenseland" on Polygram in 1980

Norman David

Born: September 24

Norman David directs, plays with and composes the music for his ensemble, The Eleventet. For almost 20 years beginning in the early 1980s, David led versions of the Eleventet in Boston, central Maine, and NYC. Among the musicians who have played with the band are George Garzone, Dick Oatts, Tim Hagans, John Fedchock, John Swana, Seamus Blake, and Terell Stafford. In early 2001, David debuted the first Philadelphia version of The Eleventet and in mid-2007, he established an ongoing Philadelphia roster of players, comprised of the cream of that city's jazz artists. The Eleventet is featured exclusively throughout the year at Plays and Players Theater, one of Philadelphia's venerable venues for theater and creative arts. Additionally, the band performs at other notable locales and events in the region.

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Petras Vysniauskas

"Something of the rugged beauty of the Lithuanian countryside and the passion of many of his fellow countrymen has been breathed into his music. The use of themes from traditional folk music is one facet of this saxophonist, who reflects both the modern development in jazz and the sound idioms of the new and latest improvised and composed music." (Bert Noglik) Inspired by his playing, several composers of symphonic or chamber music composed pieces especially for him. Petras Vysniauskas played with Steve Lacy, Han Bennink, Jon Christensen, Tomasz Stanko, Vladimir Chekasin BigBand, Vyacheslav Ganelin, Kent Carter, Jimmy Owens, Elliot Sharp, Paul Jeffrey, the "Rova Saxophone Quartet", Charly Mariano, Karl Berger, Bobo Stenson, Vladimir Volkov, Vijay Iyer, Hilliard Greene, Eric Vloeimans, Antoni Donchev, John Lindberg a.o..

Dee Lucas

Soprano saxophonist Dee Lucas’s newest CD Something To Ride 2 is a smooth jazz classic in the making. With the breakout hits Bayou and Chameleon leading the way, Something To Ride 2 lends to a perfect musical getaway, with a refreshing selection of songs that are smooth and mellow, yet tinged with an urban, funky flavor. Lucas’ second CD is set for release April 16, 2007, on the independent label Mo Better Recordings. “I am pleased with ‘Something To Ride 2,’ said Dee. “I wanted a CD that people could groove to and have fun listening to and ‘Something To Ride 2” fits the bill

Sax-of-Praise

The musical genre of Sax-of-Praise is multi-stemmed. With a childhood in Memphis during the Stax era there is a soulful budding of some of the songs. Traditional and comtemporary influences have all contributed to the blooming sound of Sax-of-Praise. The unique sound fragance can be deeply inhaled into your musical being and allow you to feel a sense of joy, comfort, inspiration and above all Peace.

Biagio Coppa

Born: March 16, 1965

Biagio Coppa is a saxophonist, composer, conductor, soudpainter and educator. In recent years, Biagio Coppa dedicated his attention to the modern techniques of expression and composition related to the development of improvised music of Afro American origin. He believes in the importance and necessity of a logical analysis of the musical experience to get the best out of musical mainstream, therefore moving towards a deeper understanding of ancient and recent musical structures and architectures. In particular he studied the possible evolution of Steve Coleman’s musical proposal linked to the M-Base movement, the extension and application of the Harmolodic concept of Ornette Coleman, the organization and development of the sound material in the so called contemporary open forms and the consequence of an accomplished chromatic approach in the creation of an improvised language